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Cole took second in the 1650 free with a time of 15:02, beating out Sydney bronze medallist Chris Thompson, who clocked in at 15:21, and just missing Tyler Painter of Arizona, who won the event in 14:52. Cole's time was an NCAA "A" standard, automatically qualifying him for the meet to be held in Indianapolis in March. His performance was also just four seconds shy of replacing the school record set last year by Tim Martin '00, a former Crimson editor...

Author: By Susan M. Brunka, CONTRIBUTING WRITER | Title: Cole, Im Make a Splash at Texas Invitational | 12/5/2000 | See Source »

...first blush, Glenn Beane didn't appear to be the stuff of which industrialists are made. A painter, sculptor and filmmaker, he had studied art at Syracuse University, then returned to Laconia, where he converted an old farm building into a sculpture studio and bronze foundry. There, during the years Alan spent as an entrepreneur, Glenn created his art and took in the odd commercial job, like casting bronze propellers for boats. "That's how I made money and put wine on the table," he says...

Author: /time Magazine | Title: A New Factory For A New Age | 12/4/2000 | See Source »

...stay faithful to her own freedom and never fall in love, but she soon finds this promise hard to keep. She becomes torn between the statements of her court advisor (Jesse Billett '01) who pushes her to follow reason, not passion, and the irresistible charm of her court painter (Jason McAdams, a New England Conservatory second-year Master's candidate), who is desired by every woman he encounters. Once this passion gets out of control, there is little that reason can do to reduce the chaos that ensues...

Author: By Kelley E. Morrell, CRIMSON STAFF WRITER | Title: Orontea: The Triumph of Love | 12/1/2000 | See Source »

FOWL ART A Minnesota wildlife painter, Robert Hautman, bested 315 other artists in the 2000 federal duck-stamp contest with his acrylic of a northern pintail...

Author: /time Magazine | Title: Decisive News | 11/20/2000 | See Source »

...donned by Timon's friends and parasites. Colored lights are used very emphatically, with semi-obscurity surrounding Timon in the first stages of madness. Strong red light is used to symbolize the fall of Athens and the death of Timon. In addition, the Jeweler (Maggie Lehrman '04) and the Painter (John Hulsey '03) stand out throughout the play for their stage presence. They provide cohesion to the groups, silent commentary on the actions of Timon's associates and excellent comic relief. Lehrman and Hulsey bring together a good, if occasionally disparate, stage to make Timon of Athens a worthwhile visual...

Author: By Irina Serbanescu, CONTRIBUTING WRITER | Title: William Shakespeare's Other Tragedy | 11/9/2000 | See Source »

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