Word: painterly
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...been seen in Bologna (in a larger form) and Los Angeles. Reni was the leading Bolognese artist of the 17th century. For nearly 200 years after his death, he was adored by a long line of connoisseurs and tourists who held him to have been angelically inspired, the greatest painter of his age: as famous in his own way as Michelangelo, Leonardo, Van Gogh or Picasso. Percy Bysshe Shelley thought that if some cataclysm destroyed Rome, the loss of Raphael and Guido Reni would "be alone regretted...
...common man, he was no kind of naif. He had studied in Paris before World War I and was closely tied to the expatriate avant-garde there, especially Stanton Macdonald-Wright, whose "synchromist" abstractions were among the most advanced experiments being done by any American painter. In New York in the early '20s, Benton dressed (as one of his friends would remark) like "the antithesis of everything American," and had a peripheral relationship to Alfred Stieglitz and the circle of his 291 gallery...
...single art event symbolized Russia's thawed relations to its own modernist past, it was the show at the Tretyakov Art Gallery in Moscow last winter by a painter and mystic who died in 1935, well into the Stalin era, and whose work remained buried for decades thereafter: Kasimir Malevich...
...auction of Soviet contemporary art held, amid vast hype, by Sotheby's in Moscow last July was seen by the West as a vindication of dissident artists but by many of the artists themselves as divisive and even dispiriting. Some lots went for unheard-of sums; the painter Grisha Bruskin, whose work had been comfortably selling in America for just over $40,000, saw a large multipanel piece called Fundamental Lexicon go for $415,000, an event that caused much skeptical talk both inside and outside the ministry. Landscapes by Svetlana Kopystiansky, and her husband Igor's assemblages...
...includes quite a lot of De Chirico's more debatable pseudoclassical work from the '20s -- this is now de rigueur, thanks to its popularity among postmodernists, who see it as a daring and prophetic form of backwardness -- as well as the paintings of his hardly less talented brother, the painter-composer-dram atist who worked under the name of Alberto Savinio and turned the late scheme of metaphysical painting into an even wilder pastiche than it had already become...