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...museum retrospective is just a matter of a "definitive" array of works, or of critical intelligence applied to them, or of a deep curiosity about the artist's life. It is a combination of all three, a vision of how they weave together -- the museum's equivalent of George Painter on Marcel Proust, or Leon Edel on Henry James. Once you have digested it, neither you nor the artist will be quite the same. You have seen the record set straight. Such events cannot be replaced by 50 Helgas...

Author: /time Magazine | Title: Art: Seeing Gauguin Whole at Last | 5/9/1988 | See Source »

...gang members in the past five weeks, an impressive performance that is marred by the fact that the county sheriff was forced to give early release to 1,200 prisoners in order to make room for the newcomers. "We have $500 million in jail construction in progress," says James Painter, who, as chief of the Los Angeles sheriff's custody division, oversees a jail system that is larger than the prison facilities in any of 46 states. "But our projections show that by the time those are completed in five years, we will be more overcrowded than...

Author: /time Magazine | Title: A Bloody West Coast Story | 4/18/1988 | See Source »

Cendrars' rhapsody reminds one how different the late decades of that hugely productive painter were from his early ones. One does not think of late Chagall in terms of the "dirty passion" and "exacerbated sexuality" that struck his (mostly Gentile) friends in modern painting's golden age, Paris before...

Author: /time Magazine | Title: Art: Fiddler on the Roof of Modernism: Marc Chagall: 1887-1985 | 4/8/1988 | See Source »

Instead one thinks of an institutionalized, not to say industrialized, sweetness: the Chagall of the blue, boneless angels, the muralist of Lincoln Center and the fresco painter of the Paris Opera, the stained-glass artist who flooded interiors from the U.N. headquarters in New York City to Reims Cathedral in France to the Hadassah-Hebrew University Medical Center in Jerusalem with the soothing light of benign sentiment. His quasi-religious imagery, modular and diffuse at the same time, would serve (with adjustments: drop the flying cow, put in a menorah) to commemorate nearly anything, from the Holocaust to the self...

Author: /time Magazine | Title: Art: Fiddler on the Roof of Modernism: Marc Chagall: 1887-1985 | 4/8/1988 | See Source »

...falls like inked paper. One pantsuit in atomic-orange wool knit looks like a drill uniform for fashion insurrectionists. Another pantsuit in silk clings and flares in the jacket, rides the waist, then blossoms out in the cuffs, looking, in its mad dappling of colors, like a loft painter's drop cloth. "Everything is so much the couture look, the expensive look, now it's time to rethink again, to find something different," Miyake says. Even in times of uncertainty, as now, Miyake conclusively demonstrates that there is always one sustaining direction for a designer: inward...

Author: /time Magazine | Title: Living: When Paris Is Not Burning | 3/28/1988 | See Source »

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