Word: painterly
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...Kipling, a 90-minute avant-garde variety special, broadcast live from three countries. Intended as a high- resolution refutation of Kipling's "East is East, and West is West, and never the twain shall meet," the show will feature a sampler of art, music and sports. Painter Keith Haring, Musicians Philip Glass and Lou Reed and a member of Paik's "family" of video robots will appear in Manhattan, Architect Arata Isozaki and Fashion Designer Issey Miyake will be on from Tokyo, and outside Seoul, cameras will follow the running of the marathon at the Asian Games. "The hardest part...
...city youth. Lauren grew up in the 1940s and '50s in the Bronx's middle- class Mosholu Parkway section, the youngest of three boys and a girl born to Frank and Frieda Lifshitz. His father, an Orthodox Jewish immigrant from the Soviet city of Minsk, was a talented mural painter whose rendering of the Manhattan skyline still decorates the ceiling of a furriers' building lobby in the garment district...
...even pose for her most famous painting; the figure's torso is Betsy's. But the work was honest in its essentials, and it established Wyeth's world as a place of physical grandeur and psychic pain. No wonder Betsy compares her husband to Ingmar Bergman. The American painter and the Swedish filmmaker are both stern visionaries whose art is based not on effusion but on reduction -- experience purified, like the flayed skin of a penitent. Both document man's spiritual solitude. Both listen for the eloquence in things left unsaid, the static electricity in gestures repressed. In their work...
...modern American artist. Theodore Stebbins, curator of paintings at the Boston Museum of Fine Arts, puts Wyeth "in a category all by himself. Being what he is brings up debate on what art is: realism vs. abstraction. He is a beautiful draftsman, a brilliant watercolorist, a very fine painter. In his field, Wyeth is an outstanding figure." Many critics in the Manhattan art scene, however, find him stubbornly irrelevant. "Wyeth's philosophy is Poor Richard's Almanack," sniffs Henry Geldzahler, former curator of 20th century art at the Metropolitan Museum of Art. "His skies have no vapor trails, his people...
Born in North Dakota in 1933, Rosenquist backed into being a painter through grass-roots advertising: he started painting Phillips 66 signs for a Minnesota paint contractor and gradually moved up to supporting himself as a billboard artist in New York City in the 1950s. Turning out these mammoth images, high above the city streets, had the most obvious connection to his later art: the problem of how you make something that looks perfectly realistic a quarter- mile away when you are close up against it and cannot see it as a whole. The huge fragmentary paintings...