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Word: painterly (lookup in dictionary) (lookup stats)
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...light changes. But another wall, a mural of floating patio furniture and suburban houses, is more than a bit obvious--it suggests a rip-off of the Rolling Stones' "Still Life" album cover. A third wall features a mural of haunting faces in the style of Mexican painter Frida Kahlo...

Author: By Kathleen I. Kouril, | Title: Too Many Cooks | 5/2/1983 | See Source »

...Phillips Brooks House Committee for the Homeless collected $150 in House dining halls for the campaign, publicized the event, and distributed sponsor sheets to Harvard students, committee co-chairman Richard W. Painter '84 said yesterday...

Author: By Laura E. Gomez, | Title: Walk for Hunger Raises $400,000 For Relief Groups | 5/2/1983 | See Source »

...times, in his copious letters, one senses the veerings and fragile boastfulness of a manic-depressive. He was not a sociable painter, which at least saved him from being a society artist; he disliked painting people, though he turned out quite a few routine portraits of country-seats. In his emotional uncertainty and fear of change, he was the stuff of which rank-and-file Tories are made. He did not so much idealize stability as worship it, and as a result his entire view of rural England presents Arcadia in a new guise. One could never imagine, looking...

Author: /time Magazine | Title: Art: The Wordsworth of Landscape | 4/25/1983 | See Source »

...wonder that, in a painter with so pronounced a taste for the specific, there was a constant argument between stereotypes and things seen. Constable loved his masters: Claude Lorrain, Ruisdael, Gaspard Poussin. Some of his most delectable paintings, such as The Cornfield, 1826, rely on the Claudean use of dark repoussoir trees framing a view of bright space at the center, and this can make them too charming to a modern eye. Constable himself remarked that The Cornfield "has certainly got a little more eyesalve than I usually condescend to give." But the great fact of nature, as Benjamin West...

Author: /time Magazine | Title: Art: The Wordsworth of Landscape | 4/25/1983 | See Source »

Constable was a painter of substance, not fantasy; but imagination rises through the substance. His earliest childhood memories, the elements of his genetic code as a painter, were all about the weight and noise and feel of things he grew up with as a well-off son of a watermill owner in Suffolk, on the River Stour. "The sound of water escaping from Mill dams . . . willows, Old rotten Banks, slimy posts, and brickwork. I love such things," he wrote to a friend. "They made me a painter (and I am grateful) . . . I had often thought of pictures of them before...

Author: /time Magazine | Title: Art: The Wordsworth of Landscape | 4/25/1983 | See Source »

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