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Though it is now the centerpiece of the Festival of Arts, the pageant started almost as an afterthought. The festival itself was launched in 1932 to publicize the work of Depression-hit Laguna artists. A year later, Painter John Hinchman hit on the idea of staging tableaux vivants, similar to the scenes mounted on Sundays in some Victorian parlors. The "stage" was a roped-off section of a street. As Salome holding the severed head of John the Baptist, Margo Goddard, now 71, became the pageant's first nude in 1936 but swore she would never pose again after...

Author: /time Magazine | Title: Living: In Laguna Beach, a Living Louvre | 7/26/1982 | See Source »

Thus went the myth-credible enough, particularly because the life of no other great painter has less documentation. But five years ago, scholars discovered El Greco's only surviving writings. Shortly thereafter, Robert Mandle, director of the Museum of Art in Toledo, Ohio, sister city of Toledo. Spain, launched a program to reassess El Greco and to put together a major show of his art. It took a lot of doing. He enlisted the help of the Prado Museum. Washington's National Gallery Director J. Carter Brown, Scholars William Jordan at the Kimbell Art Museum in Fort Worth...

Author: /time Magazine | Title: Art: El Greco's Arrogant Genius | 7/19/1982 | See Source »

...revisionist view of his career is perhaps less radical than earlier ones. Here was a provincial man, born Domenikos Theotokopoulos in 1541 in Crete, who by the age of 27 had attained a modest success as an icon painter in the Byzantine manner. He then set out for Venice to expand his painting skills. After only two years, when he had absorbed all the schooling in color that Titian and Tintoretto could give him, he moved on to Rome, where he became part of the circle of intellectuals who revolved around Fulvio Orsini, librarian to Cardinal Alessandro Farnese. During...

Author: /time Magazine | Title: Art: El Greco's Arrogant Genius | 7/19/1982 | See Source »

...best French painter to fall under Caravaggio's spell was, however, Georges de La Tour (1593-1652). His own Fortune Teller (the subject was perhaps bound to be popular in a country as worried about the future as early 17th century France) is condemned at the moment to a period of freakhood, thanks to 60 Minutes, which briefly rose from its usual torpor about cultural affairs to pillory it as a modern forgery. Reputable scholars agree, however, that there is no real question about The Fortune Teller's authenticity; its age has now been scientifically confirmed. It remains...

Author: /time Magazine | Title: Art: A Feast from Le Grand Siecle: 17th Century France at the Met | 6/28/1982 | See Source »

...contrast, the work of former Painter Peter Danko, 33, of Alexandria, Va., is an advance along the simple path cut by Nakashima. Danko's furniture represents an intriguing blend of the sculptural and the functional, with a healthy respect for the natural qualities of the wood. More over, pieces like the Danko Chair are light in weight and appearance and thus well suited to small apartments. With delight ful ingenuity, Danko is experimenting with folding chairs of molded plywood. One of the plies is a bendable, plastic material, so the chair folds without metal hinges...

Author: /time Magazine | Title: Design: Giving a Second Life to Trees | 6/21/1982 | See Source »

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