Word: painters
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Dates: during 1920-1929
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...painter is acknowledged as one of the country's most brilliant. After his graduation he studied here and at Paris; early in his career he was an exhibitor at the leading seasonal art shows; and in 1919 he was commissioned to paint pictures of war celebrities...
...final testimony X-ray pictures of both paintings were displayed. This comparison interested the jury, delighted the defense. Reason: the Belle's jewelry was invisible in the Louvre Xray. This indicated that the painter of the Louvre Belle had first laid down metallic flesh tints (impermeable by X-rays) then painted the jewelry over them. The practice of blocking out the whole figure before adding ornament is favored by artists working from live models. But in the Hahn X-ray the jewelry was clearly visible suggesting that the Hahn Belle had first been carefully sketched then colored in separate...
Mark French, youthful painter, Robert Newlands, less youthful Oxford Don, were both conducting parlous affairs of the heart; and had it not been for their eighteenth century habit of writing each to the other as confidant, neither affair would have turned out so satisfactorily. Into the Lake Country Mark pursued his love-at-first-sight, a charming bit of femininity out of Jane Austen, or-remembering her ferocious father and mysterious exile at Farthing Hall-Jane Eyre. Mark had no sooner wrung from her a timid confession of love than she dismissed him, insisting that her duty lay with...
...attended the Cleveland School of Art and then one day met the Norwegian painter Henrik Lund, who scorned orthodox artistic education and advised him to strike out for himself. Geddes began painting portraits of such people as Brand Whitlock, Mme. Schumann-Heink, Mme. Galli-Curci, Enrico Caruso, and a dozen others, but having a mother and younger brother to support (he was then 20 years old), he got a job in a Detroit Advertising agency. He was ousted when the president discovered that Mr. Geddes spent many office hours dictating dramas to the presidential private secretary...
Chernoff. The next witness for the plaintiff was Vadim Chernoff, a blond Russian expatriate, a painter of ikons. Excitedly, with an accent like a musical comedian, he dilated for an hour on Renaissance pigmentation, explained both how and what colors were used. He called the Hahn painting "translucent," and the Louvre painting "dirty." Technically he was wise, but Lawyer Levy confounded him with questions on art history and showed that M. Chernoff's advice had rarely, if ever, been sought in weighty controversy. Sir Joseph chuckled as the Chernoff lecture began. Later he gazed into a newspaper with obvious...