Word: painters
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Dates: during 1950-1959
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...first time in a decade, France's 14-year-old Association of Tapestry Painter-Designers has sent to the U.S. a major traveling exhibition of its current work-36 tapestries by 18 of the 26 association members. On view last week at Washington's National Housing Center, the handsome exhibition (see color) makes clear the appropriateness of tapestries with modern interiors. Much as the great stone baronial halls of the past needed the warmth and texture of wool, modern interiors tend to be cold and overly machined in appearance. Today's nomads, moving from one apartment...
MANY a favorite of yesteryear drops quietly from sight. More exciting are the rare instances of painters whom time mellows and improves. Such a one was Philadelphia Painter Arthur Carles, whose reputation for a while seemed to gutter and go out. Now, with a chance to review his lifetime's production at an exhibition of paintings at Manhattan's Graham galleries, critics have been shocked into recognizing Carles as one of the unsung ancestors of today's abstract painting...
Like most painters. Carles hoped for public confirmation that his new abstract direction was valid. In the socially conscious U.S. art world of the 1930s, such confirmation was not forthcoming. (In 1936 Leger visited him in Philadelphia, was amazed to find "anything like this going on in America.") Carles began painting and repainting the same canvases until they were too heavy to lift. The World War II migration of Paris painters -Chagall, Mondrian et al.-to Manhattan finally produced the understanding audience Carles longed for, but it was too late. In 1941 Carles suffered a stroke, and though he lingered...
What cynics have long predicted finally came to pass: abstract art was on sale not by the painting but by the yard. In Munich's fashionable van de Loo Gallery, Italian Painter Pinot Gallizio, 57, did a booming business by snipping his 10-and 20-yard canvases into appropriate lengths. Customers were free to choose according to their needs and pocketbooks; "normal quality" sold for $25 per yd., "more profound quality" for $60 per yd. Leftovers went at a discount...
...found Gallizio's drippings and crisscross calligraphy as good as or better than most abstractions. Said the art critic of Munich's Süddeutsche Zeitung: "After all, in the circus we have learned to discern fine artistry and great human values beneath a clown." Said irreverent Painter Pinot Gallizio, a former professor of chemistry and amateur archaeologist who turned painter only seven years ago: "Painting as such has reached the end of its road. From now on, the human eye will be perfectly satisfied by seeing any color or shape, provided the color is brilliant...