Search Details

Word: painters (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
Sort By: most recent first (reverse)


Usage:

...years. André Susse, 49, the seventh in the Susse line of foun-drymen, is a meticulous craftsman and connoisseur. Over the years, Susse Brothers has played host and helper to such far-flung makers of sculpture history as Constantin Brancusi, Jean Arp, Henry Moore, Germaine Richier, and the painter-sculptors Picasso, Giacometti, Braque, Dali and Chagall...

Author: /time Magazine | Title: Art: Famed Foundry | 12/28/1959 | See Source »

...husband, a railroad brakeman (played by Painter Larry Rivers), comes home. He has invited a High Church bishop for tea. The bishop is like 20 years old, and he brings his mother. Not all the Beats are pleased. Ginsberg: "I'll go in the bathroom and watch television." Corso wonders if the bishop knows about "beer bottles that come in magic candlesticks. Is alligators holy, Bishop? Is everything holy? Are we all in heaven now and don't know about it? Jamambi, jamambi, jamambi, jamac." After that, the plot thins, but it is the flavor that matters...

Author: /time Magazine | Title: ENDSVILLE: Zen-Hur | 12/14/1959 | See Source »

...strange as anything about the 28 minute film is the fact that its producers -Swiss-born Photographer Robert Frank, 35, and Painter Alfred Leslie, 32-financed it ($20,000) largely through Wall Street's Jack Dreyfus (the Dreyfus Fund) and Stock Market Letter Writer Walter Gutman (Shields & Co.). After its recent premiere at the San Francisco Film Festival, Judge Barnaby (Matador) Conrad declared: "I liked it until Kerouac got the 'smart jacks'-what I send my child to bed for doing." But Producers Frank and Leslie, now busily showing the film to distributors, are confident that...

Author: /time Magazine | Title: ENDSVILLE: Zen-Hur | 12/14/1959 | See Source »

Nursing a bruised ego and a gift for sketching, the 21-year-old Whistler embarked for Paris and the studio of French Painter Gustave Courbet. From Courbet he acquired his early brush strokes, his first model-mistress, Eloise, and a point of view: "Beauty is truth." This creed spurred the art-for-art's-sake movement with which an entire generation of painters and writers thwacked at the Victorian taste for the didactic, the sentimental and the morally elevating. From London (where he moved in 1859), Whistler deployed his canvases like troops in this avant-garde campaign. The fury...

Author: /time Magazine | Title: Books: Scorpions & Butterflies | 12/7/1959 | See Source »

...ABLE TO REACH YOU IN TIME FOR THE CEREMONY. DON'T WAIT. Had he lived to his centenary (he died in 1903), the aristocratic Whistler would have been crushed by something far smaller than a telegram. His Arrangement in Grey and Black: Portrait of the Painter's Mother, as Whistler titled the portrait of his mother, achieved the sentimental distinction of gracing a 3? stamp. With stamp collectors, at least, the waspish dandy had become an immortal...

Author: /time Magazine | Title: Books: Scorpions & Butterflies | 12/7/1959 | See Source »

| 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | Next