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Word: painters (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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EDWARD LEAR, THE LIFE OF A WANDERER, by Vivien Noakes. In this excellent biography, the Victorian painter, poet, fantasist and author of A Book of Nonsense is seen as a kindly, gifted man who courageously tried to stay cheerful despite an astonishing array of diseases...

Author: /time Magazine | Title: Television: May 2, 1969 | 5/2/1969 | See Source »

EDWARD LEAR, THE LIFE OF A WANDERER, by Vivien Noakes. In this excellent biography, the Victorian painter, poet, fantasist, and author of A Book of Nonsense is seen as a kindly, gifted man who courageously tried to stay cheerful despite an astonishing array of diseases...

Author: /time Magazine | Title: Time Listings: Apr. 25, 1969 | 4/25/1969 | See Source »

Insanity today is considered primarily a medical problem. But over the centuries the notion persisted that the mad were afflicted by God-and that along with this affliction went preternatural vision. The 19th century painter Richard Dadd had the fortune-as well as the misfortune-to embody the two definitions. His talent blossomed in an insane asylum. Yet his masterpiece, The Fairy Feller's Masterstroke, combines Boschian mystery with Alice-in-Wonderland fantasy in a way that makes it clear Dadd was a prophet of Surrealism. In a recent issue of the New Statesman, Critic Edward Lucie-Smith declares...

Author: /time Magazine | Title: Painting: Method onto Madness | 4/25/1969 | See Source »

...talented painter whose one-man show at the London Institute of Contemporary Arts includes his meat and salad paintings...

Author: By Clyde Lindsay, | Title: Tonight At Noon | 4/25/1969 | See Source »

...roughly a decade, the works of a slight, wiry, North Carolina-born painter named Kenneth Noland, 45, have been vehemently praised and just as savagely dissected in art magazines, while remaining relatively unappreciated by the general museum going public. The reason is that Noland's paintings, from the time he first began to attract attention with his "target" canvases of 1957, have remained icily symmetrical, uncompromisingly abstract, and thus seemingly impersonal. The debate has raged over whether (as his foes charged) they are merely decorative, or whether (as his friends claimed) they are simply so difficult that most people...

Author: /time Magazine | Title: Painting: Bold Emblems | 4/18/1969 | See Source »

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