Word: paintguns
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Towards the end of the film, Gaxiola travels to see Christo's yellow umbrellas in the Southwest desert. He strides into the beautiful hills as he loads his paintgun. As he prepares to deface the umbrellas with a vigilante's red paint (a scene Blank does not film), he explains that it isn't that he doesn't respect Christo. Rather, he is "trying to becomes part of the history of his umbrellas." This type of language punctuates the otherwise campy (and fun) side of Gaxiola's personality with the happy result of widening the intellectual scope of the documentary...
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