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Word: painting (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

Instantly recognizable and brightly welcoming, the washes and stripes of Morris Louis expand the Fogg's inner courtyard space. Stepping to meet you next to the Louis canvases, the tangled intricacies of Jackson Pollock's thrown paint--a metaphor for the paradoxes of the '60s--evoke memories of time only recently lost. The paintings on the side walls are less immediately accessible. One is an early work of a major living artists, whose expanding and developing talent has not yet been completely disse ted by critics and historians; the other a work by a painter whose stature does not warrant...

Author: By Eleni Constantine, | Title: Old Friends, Well Met | 5/3/1977 | See Source »

Prior achieves such incredible detail with his photo-realistic technique that the observer is startled at times to realize that the works are actually done with paint and not a camera. But, the detail can become dull when it leaves no room for the imagination...

Author: By Amy B. Mcintosh, | Title: GALLERIES | 4/21/1977 | See Source »

...nothing like this had ever happened before to Clinton, Mass., and the residents of the old factory town 36 miles west of Boston were doing their best to get ready for the momentous day. They swept the streets, hosed down the red brick storefronts, and slapped a coat of paint on the interior of the town hall, where the great event would take place...

Author: /time Magazine | Title: THE WHITE HOUSE: Pleasures-and Perils-of Populism | 3/21/1977 | See Source »

...first Crimson article seemed to paint a picture of the RUS Mather House women's dinner as discriminating against men, and therefore, unwarranted. In my opinion and that of the RUS Executive Board, the article was very negative in its treatment of the event, and served only to reinforce the misconception some people have of RUS as a separatist organization...

Author: NO WRITER ATTRIBUTED | Title: Women's Dinner: Alive | 3/18/1977 | See Source »

Each canvas is divided vertically into two unequal parts, and the paint builds up and bubbles along the uneven line where the two parts converge. The subtle blends and shifts in color are interesting, but the works are neither exciting nor disturbing...

Author: By Amy B. Mcintosh, | Title: High Voltage, Do Not Touch | 3/17/1977 | See Source »

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