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Word: painting (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

Then it hit, tearing into the fleet with Force 10 winds (between 55 and 63 m.p.h.) and waves up to 40 ft. Streaked white with a war paint of foam, the seas tossed the sleek yachts, which ranged in length from 27 ft. to 79 ft., as if they were balsa wood. Boats were capsized, righted and then swamped again, their crews suspended terrified in safety harnesses. Less fortunate yachtsmen were thrown about the decks or washed overboard. Said British Skipper Arthur Moss of Camargue: "Our steering [wheel], complete with a man attached, went soaring into...

Author: /time Magazine | Title: Sport: Death in the South Irish Sea | 8/27/1979 | See Source »

...Union-Butterfield Division, which belongs to Litton Industrial Products, Inc. in the U.S., and to Litton Business Systems of Canada, Ltd. on the other side. No machinery, materials or goods can cross the borderline in the center of the building-carefully marked by wall plaques and dabs of red paint-unless the appropriate customs service is notified and a duty is paid. Vending machines just a few feet over the line will not accept the currency of the other country...

Author: /time Magazine | Title: Partly in Vermont: A Borderline Case | 8/13/1979 | See Source »

...light in Arikha's paintings is dry and chalky. It conveys a sense of frugality, but with no question of expressionist pathos. His motifs are not actors in a drama of pathetic fallacy, but resistant fragments of the world, the nonself. But what is so gripping about his work is the in tensity with which Arikha engages that world. He speaks of the "hunger in the eye" that drew him away from abstract painting in 1965, and kept him doing nothing but black-and-white brush drawings and etchings from life for eight years. In his paintings since...

Author: /time Magazine | Title: Art: Arikha's Elliptical Intensity | 7/30/1979 | See Source »

Obsession with secrecy was equally futile. Commanders on the carrier Essex won permission to let their pilots overfly the beach only after the aircraft insignia were obliterated with gray paint. But only the U.S. Navy flew the A-4D jet fighter, whose distinctive silhouette was instantly recognizable. Similarly, a crew was sent over the side of the destroyer U.S.S. Eaton to paint out the ship's name. Yet the vessel's outline could be clearly identified as that of a U.S. warship; at binocular range, even the raised lettering could be read...

Author: /time Magazine | Title: Books: Blunders by Men Wearing Blinders | 7/9/1979 | See Source »

...available outside the lab. Even heard on conventional equipment, the new hybrid records bring a full panorama of sound rushing from the speakers. In rock, digital is like scoring a studio seat next to the microphone. In classical, the sound is like a symphonic apotheosis. Floors vibrate; paint could crack; leases may be broken...

Author: /time Magazine | Title: Music: His Master's Digital Voice | 7/9/1979 | See Source »

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