Word: painting
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...came, Yunupingu, an expert in art and bush medicine, had been foraging for yam. Now, as well as the category five storm to worry about, there's her exhibition debut in Paris looming on the horizon, and the mother of four has returned to her community near Yirrkala to paint. As it transpires, over the course of the next few days Monica manages to sidestep Yirrkala, hitting the coast 300 km west at Maningrida, but what begins to form on Yunupingu's bark canvas bound for France has some of its meteorological power. Here the artist's field of shimmering...
...when Rover Thomas' All That Big Rain Coming Down from Top Side created an auction record for an Aboriginal painting, the market had evolved into a highly sophisticated industry with the best work being sourced from the community art centers where provenance was assured. But rogue dealers wanted a piece of the action, approaching in-demand artists direct. "Some artists I'm convinced will never paint enough paintings to satisfy the number of people who want them," says Sweeney. "So you've got something that's just exploded...
...More than anyone else, John Mawurndjul has changed the face of bark painting. Adapting the cross-hatch technique of body painting known as rarrk, the son of a shaman's increasingly virtuoso barks have taken what was previously seen as a craft to the exalted realm of fine art: last year, he was accorded a career retrospective at the Museum Tinguely in Basel, Switzerland. If Mawurndjul is considered the Michelangelo of rarrk, then the MQB is his Sistine Chapel. Across 150 sq m of ground-floor ceiling, his sacred billabong at Milmilngkan ripples and sings; the rarrk's kinetic power...
...from their Pintupi, Arrernte, Warlpiri and Luritja homelands, the Papunya mob were caught in "the agony of exile," Perkins has written. Driving his VW into town in 1971, Sydney art teacher Geoffrey Bardon wasn't thinking of starting a revolution. But by encouraging the town's senior men to paint their ceremonial sand designs onto the local school wall, an artistic one was unleashed. In a series of concentric circles and squiggles, their Honey Ant Meeting Place ("Papunya Tula" in Pintupi) was conjured up, and one of the most extraordinary art movements of the 20th century had begun...
...only did the movement's founding fathers summon up their far-flung homelands in paint, but they would return to them by decade's end, setting up outstations at places like Kintore and Kiwirrkura near the Western Australian border. Their signature dotted style not only dazzled the art market but also kept their sacred stories screened, in the process producing "masterpieces of ambiguity, equivocation and disguise," cultural theorist Paul Carter has written. By the mid-'90s, as the senior men began to pass away, their wives and daughters took up the brush, releasing a second wave of artists. Nearing...