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...consider myself to be doing the work of a poet who prints the words but keeps the manuscript. I kept most of my original drawings. I believe every artist in the world would like to sell only the rights of reproduction. Except for the ones who make giant paintings???they are very happy to get rid of them. And sculptors: there is nothing more tragic than the unsuccessful sculptor, faced constantly by his large, reproachful objects. Comment s 'en débarrasser!" His recognition is, Steinberg admits, "one of the biggest satisfactions of my life." His way of living...

Author: /time Magazine | Title: The World of Steinberg | 4/17/1978 | See Source »

...second, equally important, was the idea that a painting's surface was an impartial collector of images. Anything could be dropped on the blueprints and leave its mark. Soon afterward, Rauschenberg made grass paintings???bundles of soil and plant matter held together with chicken wire, from which seedlings sprouted. (The last of these modest forerunners of earth art perished of cold and thirst in his loft down by the Fulton Street docks in 1954.) The results of this clownish exercise, as it looked then, would be of capital importance to modern...

Author: /time Magazine | Title: The Most Living Artist | 11/29/1976 | See Source »

...passionately involved in life; I love its change, its color, its movement. To be alive, to be able to speak, to see, to walk, to have houses, music, paintings???it's all a miracle. I have adopted the technique of living life from miracle to miracle. Music is not a hobby, not even a passion with me. Music is me. I feel what people get out of me is this outlook on life, which comes out in my music. My music is the last expression of all that. I think I can say no man has lived his life more...

Author: /time Magazine | Title: Pianists: The Undeniable Romantic | 2/25/1966 | See Source »

...Simon says that an objective "is being worked out. It is going to be something complex. We are struggling with the definition." Translated, that means that Hunt is going to keep on growing, that Norton Simon will continue to cast his acquisitive eye on companies as well as on paintings???and that what comes of it all will be, in its own way, as rare and distinctive in the world of business as a Titus is in the world...

Author: /time Magazine | Title: Management: The Corporate Cezanne | 6/4/1965 | See Source »

...close order sculpture, poetry, music. Psychiatrists are just beginning to interpret what they have long observed?the close connection between the psychopath and the artist on one hand, the psychopath and the criminal on the other.?Professor Wilhelm Weygandt of the University of Hamburg. His patients produce modernistic paintings???lop-sided faces, elongated beasts, geometrical patterns?comparable to those of the modern masters. But not all such artists, said he, are mentally unbalanced. Some draw

Author: /time Magazine | Title: Medicine: Mental Hygiene | 5/19/1930 | See Source »

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