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Word: paintings (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Usage:

...Adams House roommates will over see the gray paint they put on their walls again, but the problems brought on by their decorating efforts threaten to linger...

Author: By Thomas N. Mowlstt, | Title: Gray Paint in Adams Gone, But Problems Linger for Pair | 9/20/1983 | See Source »

Their room had been part of a five-dorm renovation project this summer that involved overhauls ranging from new roofs to new paint jobs...

Author: By Thomas N. Mowlstt, | Title: Gray Paint in Adams Gone, But Problems Linger for Pair | 9/20/1983 | See Source »

Manet's sense of touch was extraordinary, but its bravura passages are in the details: how the generalized bagginess of a trouser leg, for instance, rendered in flat, thin paint and firmed up with swift daubs of darker tone in the folds, contrasts with the thick, creamy white directional brush strokes that model the curve of a spat. The ceaseless, intelligent play of flat and round, thick and thin, "slow" and "fast" passages of paint is what gives Manet's surface its probing liveliness. There is nothing "miraculous" about it, but it was not the result...

Author: /time Magazine | Title: Art: The Most Parisian of Them All | 9/19/1983 | See Source »

...painting has the quality of farce, presented in the guise of a Second Empire pictorial machine. At the same time it is intensely serious (as farce can be), and one of the victims of its seriousness is the stereo type of the nude. Manet invariably painted women as equal beings, not as denatured objects of allure. Victorine, the model, is clearly a model doing a professional stint; the illusions of the salon body, timelessness and glamour, are no longer properties of nakedness. Other artists painted nymphs as whores; it took Manet, in the Olympia, to paint a whore...

Author: /time Magazine | Title: Art: The Most Parisian of Them All | 9/19/1983 | See Source »

...words of five white Harvard undergraduates who have lived in South Africa paint a grim portrait of the future of that nation. Giselle M. Benatar '86, Gerald M. Fox '86, Nita Lelyveld '86, Mary J. Menell '85, and one junior who asked not to be identified all agree that change, possibly bloody change, will come. But they disagree on the roles which Harvard and the United States can and should play in causing that change to occur...

Author: By Diane M. Cardwell, | Title: South Africans at Harvard | 9/12/1983 | See Source »

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