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...addition to controlling Cornell’s offensive threats, Harvard will have to be effective in the paint and come down with some boards. To Harvard coach Tommy Amaker, presence and ball control...

Author: By Justin W. White, CONTRIBUTING WRITER | Title: Crimson Takes on Tough Ivy Squads | 2/12/2009 | See Source »

...Boston was the first city Fairey bombed (“to paint, sticker or post many surfaces in one area” according to the ICA’s “OBEY” brochure) while an undergraduate at the Rhode Island School of Design in the early 90s. His work was also brought onto the Harvard campus two years ago by Susan Dackerman, curator of prints at the Fogg Art Museum, in conjunction with the show “Dissent!,” which focused on the use of printing to express protest and subversive messages. Though none...

Author: By Anna K. Barnet and Joshua J. Kearney, CRIMSON STAFF WRITERS | Title: Shepard Fairey and the Obedience Paradox | 2/12/2009 | See Source »

...Within the ICA’s walls, Fairey used mixed media to preserve nuance as his art moved from street to gallery. Glimpses of newspaper and posters show through the paint, complicating the work’s more overt messages. Standing beneath his largest inside work to date, which the ICA commissioned for “Supply and Demand,” Fairey said, “It combines the scale and presence of street art with the depth of what I call fine art.” Countering questions with a humor that also contains a certain biting honesty...

Author: By Anna K. Barnet and Joshua J. Kearney, CRIMSON STAFF WRITERS | Title: Shepard Fairey and the Obedience Paradox | 2/12/2009 | See Source »

...inner conflict. In one photograph left untitled, the concept of tribal masculinity is emphasized by the intense light that shines on Fani-Kayode’s chest, which is puffed up like that of a bird trying to impress a potential mate. In his outstretched hands, he carries colorfully painted tribal feathers that he fans towards the camera lens. Here, Fani-Kayode captures an aggressive figure who simultaneously offers the comfort of tradition through a symbolic image of culture. However, the photograph also reveals a cultural prudishness through its aversion to the open expression of sexuality. The region below...

Author: By Mark A. Fusunyan, CONTRIBUTING WRITER | Title: Sprituality, Sexuality in Rotmi Fani-Kayode Exhibit | 2/12/2009 | See Source »

...inevitable exhaustion, though not quite successfully, by opening with “Contender,” an airy, gorgeous tale of a hapless admirer of music and art, destined never to create, only to consume. It is, in a sense, the picture the band’s detractors might paint of them. They acknowledge the issue, and in doing so, seek to move above it, displaying a level of forethought that suggests they are more than a glorified cover band.On the whole, they manage to compensate for the exhaustion that can come from such a poppy record, and generally, they...

Author: By Ruben L. Davis, CRIMSON STAFF WRITER | Title: The Pains of Being Pure at Heart | 2/12/2009 | See Source »

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