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Word: paints (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
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Usage:

...Washington, at a V.F.W. meeting, U.S. Attorney General Tom Clark tried paraphrasing the old Army rule: "If it moves-salute it; if it doesn't move-pick it up; if you can't pick it up-paint it." His new version for the returned veteran: "If it cries-change it; if it's on wheels-buy it; if it is hollow-rent...

Author: /time Magazine | Title: MANNERS & MORALS: Americana, Mar. 10, 1947 | 3/10/1947 | See Source »

Bonnard would permit no one, not even himself, to criticize Edouard's work. Instead he rambled on about the colors that flood the eyes, and how to approximate their pure sparkle in paint. "Paint what you want," he told Edouard, "as you want to paint it. Treasure your freshness, your inspiration. The rest will come by itself...

Author: /time Magazine | Title: Art: The Master & the Prodigy | 3/10/1947 | See Source »

...Remember Mama. Several months ago Edouard suddenly lost all interest in landscape and still life: he wanted to paint nothing except people. His mother, when she came home from her work as a charwoman, posed for Edouard: sometimes as the Madonna, draped in a shabby dressing gown, and sometimes in the nude. They worked in one of the family's two bare rooms, with Edouard's canvas propped against a suitcase on the dinner table...

Author: /time Magazine | Title: Art: The Master & the Prodigy | 3/10/1947 | See Source »

Unlike outdoorish Winslow Homer (see above), Rouault has always looked inward, to paint the medieval hells and heavens exploding within the high dome of his skull. Rouault was born in violence when a shell blasted his mother out of bed during the bombardment of Paris in 1871. At 14 he went to work in a stained-glass factory, where he earned a dollar a week and developed his unique inner climate-as sharp and glowing, to judge by his art, as glass...

Author: /time Magazine | Title: Art: Looking In | 3/3/1947 | See Source »

...length Johnny falls into the hands of three shoddy, half-mad symbols of three strong human drives. An artist (Robert Newton), foaming with delusions of genius, tries to paint the death in his eyes; a doctor (Elwyn Brook-Jones) patches him up for the sake of his own lost pride; the third man (F. J. McCormick) schemes to sell him to the highest bidder. Under these frenzied circumstances, the delirious hero shouts his own conversion and the story's master theme: "Though I speak with the tongues of men and of angels and have not charity, I am become...

Author: /time Magazine | Title: Cinema: New Picture, Mar. 3, 1947 | 3/3/1947 | See Source »

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