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...coast of Queensland, eccentric Scottish-born painter Ian Fairweather (1891-1974) began to harmonize a lifetime of influences and impulsive traveling. Mixing Taoist philosophy with Cubism, and Ab-Ex drips with Chinese calligraphy, his grandiloquent '60s works like Monastery and Monsoon transcended abstraction to become austere meditations in paint, as elemental as lightning. And all the more remarkable considering their flimsy foundations - they were often completed on carboard with the cheapest...

Author: /time Magazine | Title: Remastering the Record | 8/22/2005 | See Source »

...Americans. The dreams of the old and new immigrants overlap and mirror each other, offering up myriad reflections of a mutually imagined America. When Christopher Columbus set foot on the shores of the New World, he described the natives as "young...well made with fine shapes and faces...Some paint themselves with black...others with white, others with red, and others with such colors as they can find." Columbus could have hardly foreseen that more than five hundred years later his description of Americans as a multicolored tribe inventing their identity from a dazzling palette of countless hues would ring...

Author: /time Magazine | Title: Influencing America | 8/13/2005 | See Source »

...many self-portraits she poses formally, surrounded by foliage, landscapes and animals. She was also inspired by local retablos - naive pictures given as votive offerings to saints for miraculous recoveries. Unrescued, Kahlo presents herself, bleeding like a martyr. Later she turned to mysticism, and her paintings became overburdened by symbols, with Karl Marx and Jesus meeting Satan and monkeys. She liked to paint herself with simians, often with an arm round her shoulders (Self Portrait with Monkey, 1940, above). Kahlo's work, like the monkeys, retains a wild, playful quality...

Author: /time Magazine | Title: Drawn From Life | 8/7/2005 | See Source »

...many self-portraits she poses formally, surrounded by foliage, landscapes and animals. She was also inspired by local retablos?naive pictures given as votive offerings to saints for miraculous recoveries. Unrescued, Kahlo presents herself, bleeding like a martyr. Later she turned to mysticism, and her paintings became overburdened by symbols, with Karl Marx and Jesus meeting Satan and monkeys. She liked to paint herself with simians, often with an arm round her shoulders (Self Portrait with Monkey, 1940). Kahlo's work, like the monkeys, retains a wild, playful quality...

Author: /time Magazine | Title: Drawn from Life | 8/6/2005 | See Source »

...Those heads, considered as the living presence of powerful ancestors, could have been used for magical purposes, in warfare in particular,'' says Garnier. When a warrior had taken a head he would now be "a respected man, able to cover his body in black paint, a sign of homicide." The victim's head was boiled in a special pot to release the flesh and tendons. Then, after it had been appropriately adorned, it would be displayed alongside the heads of ancestors. Head-hunting is no longer practiced - it was firmly discouraged by the first Christian missionaries - so the remaining skulls...

Author: /time Magazine | Title: The New Head Hunters | 7/25/2005 | See Source »

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