Word: paints
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...Photo Anime' film format (including designer shape de-focus, infinite depth of field, bling and super-bling flare enhancements and candy-inspired 'Techno Color')." You can tell that everyone had liberated fun making the film; it feels like the group effort of Mensa kids let loose in the paint store. More than the story of the Racer family, Speed Racer is the visual autobiography of the Wachowskis and their pit crew of computer-nerd Einsteins, using the tools of their trade to transform the movie medium...
...prison, Htein Lin struggled constantly and ingeniously to gather art supplies. Using a nail, he scratched poems and sketches on plastic that could only be seen when held up to sunlight. When sympathetic guards brought him house paint and syringes from the prison infirmary, he used those to create swirling, Jackson Pollock-like patterns. "If I had a lot of colors, I'd use them. If I only had black or brown, I'd use it," he says. During his seven months on death row, fellow inmates donated their sarongs - the only clothing allowed them - so that he would have...
...Just as Olivier Messiaen's time in a Nazi prison camp forced the French composer to experiment with novel orchestrations, Htein Lin's years in prison gave him a technique uniquely adapted to privation. Even after his release, he has continued to paint in the primitive, almost childlike style he developed in jail. "He has this need to fill his canvases with as much as he can," Weber says, "because he may not have another chance." In a recent painting of his adopted home, for instance, Htein Lin depicts London as a chaotic welter of traffic and pedestrians. Every inch...
...Faux lensing," "Photo Anime film format," "designer shape de-focus," "infinite depth of field," "bling and super-bling flare enhancements" and "candy-inspired Techno Color." You can tell that everyone had liberated fun making the film; it feels like the group effort of Mensa kids let loose in a paint store...
Although Lampoon members have a reputation for being obnoxious and over-the-top, James A. Powers ’08, a soft-spoken Irishman, does not conform to stereotypes. Powers has illustrated covers for the Lampoon and drawn cartoons for The Crimson, but painting is where his passion lies. His work for the Lampoon is one of his proudest achievements at Harvard, but Powers enjoys painting because his work doesn’t have to fit into a niche. While growing up, Powers drew lots of comic strips, with Tintin as an early inspiration. But with his arrival at Harvard...