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...worthy adversary for long-range mediocrity, going 0-for-12 on the night. The lack of good shooting meant that the game would be decided on the inside, which boded well for the Lions. Columbia out-rebounded the Crimson, 36-31, and scored 10 more points in the paint. Second chance points also favored the New York men, as the Lions held a distinct 10-2 advantage. After tying the game in the first minute of the second half, Harvard never came close again as Columbia pulled away from the Crimson. The poor shooting and plethora of wide open misses...
Although in-the-paint troubles are nothing new for Harvard, the surprising cold spell in the shooting department proved particularly worrisome. After going off for 20-plus points on back-to-back nights last weekend, sophomore Jeremy Lin was held to 5-of-11 shooting for only 10 points...
...Without its star forward, Cornell stuck to a perimeter game, putting up 25 three-pointers and rarely finding anything to work within the post. When the two teams played in Ithaca, an 85-61 Cornell win, the Big Red outrebounded Harvard, 45-25, and scored 28 points in the paint to Harvard’s 16.Maduka’s absence found its way into the box score on Saturday night. Harvard bested Cornell on the glass 42-40 and owned a decisive 28-12 margin in the paint. Rollins and Budischak had free reign in the lane...
...Harris has been very active in the paint tonight and has been effective in drawing fouls. He makes one of two FTs again. [Columbia 43, Harvard...
...undeniable standout track is “Leopardman At C&A,” a sinister rocker with lyrics by graphic novelist Alan Moore of “V for Vendetta” fame. The song, based on the graphic novel of the same name, paints a savage, futuristic world of “barcode face tattoos,” “vegan cannibals,” and barbarians that use “the juice from cell phones” as war paint. Tribal drums and Collins’s menacing vocals perfectly communicate Moore?...