Word: paipert
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Dates: during 1960-1969
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...same little pikers in back of those other two shows--let alone much of the more resounding Cambridge entertainments over the last three years--are responsible for the latest and in lots of ways the most dazzling of them. People like Stu Beck, Bob Bush, Shannon Scarry, Bea Paipert and Josh Rubins have become integral parts of the local scence--like parking meters and potholes...
...cast, finding itself with shallow, mechanical parts, has retaliated by only going through the motions. Even Laurence Senelick's lines, which he lets go with a luscoius roll, somehow land with a clunk. Bea Paipert makes a very funny cow of an old lady, Kathryn Walker gives a droll, nasal performance of a declining aristocrat, and Tom Jones is perfect as a timid schoolteacher. But Director George Hamlin's overall pace is funeral, and most of the performances lack snap. The audience, however, seemed to enjoy the same mechanical trick of "getting sick" five or six times...
...murders to test a philosophy, stands in a limp full shirt and baggy trousers next to John Lithgow's ramrod prissy Luzhin, the rich, hollow financee of Raskolnikov's sister. The lines of character like the lines of John Braden's sets are balanced, clear and instantly defined. Bea Paipert creates two brief roles, the hunched, old pawnbroker Raskolnikov kills and a crazy madam at a police station, in maybe three minutes of stage time. Tom Jones plays a marvelously affected Police Lieutenant who obviously should have been a general...
...most part the production's lifelessness is all-pervading. Several actors have been more appropriately cast than the rest and shine by comparison--Leland Moss as Fluther, Kenny McBain as the Covey, Beatrice Paipert as Bessie Burgess, even Jennifer Crier as Nora. But there are no exciting performances of any size simply because the parts, good and bad, are so deeply rooted in the whole, which...
...easily her best to date, and not once does she lapse into any of the mannerisms that have marked her last three performances. Susan Channing plays the daughter. Her sheer technical skill is amazing, and she manipulates the emotions of the audience with the slightest change of expression. Bea Paipert plays the Cook and effectively establishes the mood and tone of the production, on which the other characters have to build. If Joel Silverstein and Jim Shuman, as the son-in-law and son, lack the vocal technique to completely put over their most difficult scenes, they make...