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Word: paisan (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
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Usage:

...your seenes in Raly during the war. Throw in a big gob of partisans some mean-looking German soldiery, sprinkle liberally with social significance, squalling infants, breast women, and peasants and you might have "Paisan" or "Open City." But in this case you have "Outery," and you have a very fine motion picture...

Author: By David L. Ratner, | Title: THE MOVIEGOER | 11/8/1949 | See Source »

Ingrid had teetered on her celluloid pedestal last spring when headlines carried reports of a superheated romance with Italian Cinemaster Roberto (Paisan, Open City] Rossellini. Ingrid's husband, Swedish Dr. Peter Lindstrom, rushed to see the pair in Italy. Ingrid and Rossellini stopped work on a movie and went into a huddle with the doctor, but the three emerged with a statement that left the triangle standing (TIME, May 16). Last week, goaded by day-to-day newspaper reports about her affair with balding, 43-year-old Director Rossellini, Ingrid chose to step down off the pedestal under...

Author: /time Magazine | Title: Cinema: Off the Pedestal | 8/15/1949 | See Source »

Italian Movie Director Roberto Rossellini (Paisan, Open City), separated from his wife and son since 1942, told his lawyers to file divorce papers. He is still on the island of Stromboli in the Tyrrhenian, where he is directing a movie about life among the fishermen, featuring an amateur cast and starring Ingrid Bergman...

Author: /time Magazine | Title: People: People, Jun. 13, 1949 | 6/13/1949 | See Source »

...career. But her last two movies (Arch of Triumph, Joan of Arc) did not measure up to her own standards of art. "I am willing to break my neck," she told a reporter, "to do something new." After she had seen the Italian-made prizewinning movies, Open City and Paisan, she wrote Director Roberto Rossellini: "If you ever need an actress with a Swedish accent, just call...

Author: /time Magazine | Title: Cinema: Fantasy on the Black Island | 5/16/1949 | See Source »

...movies-within-movies of the latest German jet-fighters. The Generals push their map-pins and calculate their losses with a pleasant detachment from reality, unfortunately near the conventional idea of all military command. This was not true of the play; it is not characteristic of all films. "Paisan," which showed just how good war movies could be, had a command decision too, in an episode involved with guerrilla warfare in the lonely river marshes north of Rome, but "Paisan's" decision involved active people, not figures on a chart. And the difference shows up in the relative emotional punch...

Author: By Paul W. Mandel, | Title: The Moviegoer | 4/18/1949 | See Source »

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