Word: pal
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...writer" (aren't they supposed to be sensitive?) is demolished by James (Once Upon a Time in America) Woods in a typically overheated ax murderer's job of acting. His nostrils perpetually flaring and his mannerisms obstinately childish even at "significant" moments (like the awful scene where his writer-pal dies), one thought sums Woods up: he gives great stereotypes. As Mr. Ackroyd would say: "The essence...
Even when Susan is not quite explicable or sympathetic, she is a compelling spectacle, turning heads and stomachs with her coruscating monologues. The others--her husband (Charles Dance), her bohemian pal (Tracey Ullman), her befuddled lover (Sting) and two of her husband's superiors in the diplomatic corps (John Gielgud and Ian McKellen)--have delicious verbal turns of their own. Among its other virtues, Plenty is the year's funniest film, to those with a taste for English mandarin scorn: the word unspoken, the sneer barely repressed, euphemism as an act of smart-club malice...
...history. Jaws (1975) is fifth on the all-time list, Raiders of the Lost Ark (1981) seventh, Indiana Jones and the Temple of Doom (1984) eighth, Close Encounters of the Third Kind (1977) 15th, and Gremlins (1984), which he did not direct but developed and "presented," 17th. Only his pal George Lucas, with whom he collaborated on Raiders and Indiana Jones, approaches that patch of box-office ionosphere; and Lucas, at least since Star Wars eight years ago, has delegated the directing of his films to other hands. Spielberg is very & hands-on; as Director Martin Scorsese puts it, "Lucas...
...starting over in a new land with a new language -- the climax does not ring true. It is too improbable: a smash hit and Oscars galore for his second American film, One Flew over the Cuckoo's Nest (1975), more profits and honors with last year's Amadeus. Sorry, pal. Send the script to Sly Stallone...
...again, finding refuge back home in European co-productions. Hollywood was retreating into familiar genres: into the memorial expanses of westerns like High Noon (directed by the Austrian Fred Zinnemann) or the paranoid apocalypse of science-fiction films like The War of the Worlds (produced by the Hungarian George Pal) or grandiose melodramas like Written on the Wind (directed by the Dane Douglas Sirk) or effervescent comedies like Some Like It Hot and The Apartment (both directed and co-written by the Austrian Billy Wilder) or the sleek thrillers of London-born Alfred Hitchcock. Audrey Hepburn, from Belgium, was crowned...