Word: palazzos
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...sublimity, then Giulio was all licentious facility. So ran the judgment of our Victorian forebears, who could not quite forgive Raphael's best pupil for his indelicacy. An air of brilliant second- rateness still clings to his name. Those who can thrust their way through the crowds in Palazzo Te in Mantua and manage a long look at the enormous Giulio Romano show that has been the city's main event this fall (it closes on Nov. 12) will have the best chance any public has had since the artist died in 1546 to judge him for themselves...
...with Giulio, design and invention were inseparable, and their combination is worn so lightly that one may not realize how difficult were the problems he set for himself. How do you create long processional friezes of figures based on a Roman triumph, as in the Stucco Room at Palazzo Te, without monotonously repeating poses and gestures? How do you cram an imagined temple with such an excessive throng of spectators that the Circumcision of Christ looks more like a PEN dinner thrown by Gayfryd Steinberg, and yet keep the action coherent? Virtuosity was in Giulio's nature...
...great expression of their relationship was Palazzo Te itself, which Giulio designed from the ground up as a pleasure pavilion for Federico. This rectangular, single-story building, with its courtyards, pools, screen colonnade and enfilade of frescoed rooms, was Giulio's masterpiece. Its architecture would inspire many future designers, among them Inigo Jones and Sir John Vanbrugh. But its frescoes, which have been thoroughly and sympathetically cleaned in recent years, would be no less influential...
Dearing noted that his setter, Mark Mastin, had many kills by just tipping the ball over the net. Mastin's tip-overs and his teammate Mike Palazzo's blocks and spikes were three key reasons that led to the Crimson loss...
...state of upheaval these days. The piazza that has been the center of Florentine life since before Medici times, the space chosen by Michelangelo for his exquisite statue David, has been ripped up and fenced in. The current David, a copy, stands forlornly in front of a partially scaffolded Palazzo Vecchio. Cosimo I, the young Medici ruler who sits mid- square atop his bronze horse, gazes down on an ugly, corrugated plastic roof covering a third of the square...