Word: paled
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...election. Officially he had a cold and had lost his voice. That is what his wife Naina said, explaining that he seldom got more than four hours of sleep a night during the campaign. In his made-for-television appearances just before last week's voting, he looked pale and stiff, but an old back injury often makes him move awkwardly. Doctors working for U.S. intelligence agencies tried some long-range diagnosis and concluded that Yeltsin probably was not suffering a recurrence of ischemia. More likely a touch of flu or another virus, they thought. But some Russian officials were...
...neared the end of high school, her father loosened up the rules--and Braxton bought her first pair of pants. "They were Levi's," she says. "I'll never forget. Straight-legged Levi's. From there I got to wear nail polish--like a very pale pink." She even threw a pool party senior year--although the only music she was permitted to play was gospel...
...best the world has seen, especially of himself. His self-portraits invite comparison with those of Rembrandt, and the best of them justify it. He begins, in his own images, as a wild man, a solitary, an uncouth glaring peasant with greasy hair massed on either side of the pale dome of a bald head; he ends, in his last years, as a kind of sage. Between the extremes is a painting like the Self-Portrait (Portrait of the Artist with a Rose Background), with its powerfully modeled head, "formed," as Rainer Maria Rilke wrote after...
...feel it particularly in Cezanne's series of landscapes of his "sacred mountain," Mont Sainte-Victoire. Now it is a mere shimmer of profile in a watercolor, whose blank paper becomes the white light of the Midi, burning through the pale flecks of color. Elsewhere, in the late oils, it achieves a tremendous faceted density, that crouched lion of rock. In between there are lyrical tributes to it, as in Mont Sainte-Victoire Seen from Bellevue, 1882-85, where it appears almost shyly on the left of a tender, early springtime landscape, all new green, traversed by an aqueduct (sign...
These apart, perhaps the most beautiful evocation of Provence in Cezanne's work is a seascape, The Gulf of Marseille Seen from L'Estaque, circa 1886. A blue bay, with blue hills on the horizon and a pale, scrubbed blue sky; a pier running into the blueness on the upper left, reaching (it seems) toward a white scarf of smoke coming from a chimney in the right foreground and binding the whole space between; below, the faceted blocks of houses and the lovely staccato rhythm of chimneys. It radiates peace and balance and, above all, easefulness--the sense of being...