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Word: paled (lookup in dictionary) (lookup stats)
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...inequitable action does have two pale virtues. Johnson has ended the shameful delay which threatened to leave the status of graduating seniors unresolved until next fall. And the National Security Council has avoided the folly of trying to sort out some fields of graduate study as more worthy of deferment than others...

Author: NO WRITER ATTRIBUTED | Title: The Axe Falls | 2/17/1968 | See Source »

...Cambridge draft board doesn't have an easy time filling its monthly quotas. It's a rather sad place. The pale tan walls and the green filing cabinets lined up in careful rows look at you with a kind of quiet sterility. The wooden bench sitting outside the room, just sitting and waiting, doesn't help...

Author: By Adele M. Rosen, | Title: The Selective Service System | 2/12/1968 | See Source »

...Pale and tense to the point of tears, Mrs. Johnson rejoined: "Because there is a war on-and I pray there will come a just and lasting peace-that still does not give us a free ticket not to try to work at bettering the things in this country that we can better. Crime in the streets is one thing that we can solve. I am sorry I can't speak as well or as passionately on conditions of slums as you, because I have not lived there...

Author: /time Magazine | Title: The First Lady: Down to Eartha | 1/26/1968 | See Source »

Cleverly camouflaged by Vincent Price's remarkable singing voice (which Who's Who sees fit to label "baritone"), the score to Married Alive is a tolerable item. But Jule Styne and E. Y. Harburg, who wrote it, should be capable of better. Harburg's lyrics pale beside Jamaica; for the creator of Finian's Rainbow, they are pure embarrassment. Styne's music is enough to make one suspicious of the authorship of Gypsy and Funny Girl...

Author: By James Lardner, | Title: Married Alive | 1/8/1968 | See Source »

Newness is not merely a matter of time but of attitude. Despite the legacy of such rare masters as D. W. Griffith and Sergei Eisenstein, the vast majority of films a decade ago were little more than pale reflections of the the ater or the novel. The New Cinema has developed a poetry and rhythm all its own. Traditionally, says Cahiers Editor Jean-Louis Comolli, "a film was a form of amusement - a distraction. It told a story. Today, fewer and fewer films aim to distract. They have be come not a means of escape but a means of approaching...

Author: /time Magazine | Title: Hollywood: The Shock of Freedom in Films | 12/8/1967 | See Source »

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