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...residents of Munich, their city is not just Bavaria's capital and Germany's third largest city (after Berlin and Hamburg). It is Elysium on the Isar River - a steep-roofed, cobblestoned corner of heaven awash with foamy Doppelbier and festooned in Weisswurstle, the pale, succulent sausage that Münchners munch by the mile...

Author: /time Magazine | Title: West Germany: The Young City | 2/28/1964 | See Source »

...drive to preserve the Aryan race, Adolf Hitler did not stop with the extermination of the Jews. In 1940, Hitler appointed Dr. Werner Heyde, a pale, bespectacled SS major and former Wiirzburg University Medicine lecturer, supervisor of "Operation Mercy Killing." Until courageous protests from German church leaders forced the Nazis to curtail the program in 1941, Heyde and a staff of "selectors" in his euthanasia task force killed more than 100,000 mental defectives, including many who were only senile or epileptic...

Author: /time Magazine | Title: West Germany: Cheating Justice | 2/21/1964 | See Source »

...encountering in the lobby a life-size plaster cast of one of the Met's curators, Henry Geldzahler, made by Sculptor George Segal. For the Sculls, the plastered Henry (top picture, opposite page) has become a household pet. Scull likes to feel Henry's pulse. "How pale you look," he murmurs. Scull's three boys chat with Henry and use him as a talisman of good luck for exams at school...

Author: /time Magazine | Title: Art: At Home with Henry | 2/21/1964 | See Source »

Though he does not think himself a prophet, Graham can sound like Jonah addressing the men of Ninevah: "We're approaching a crisis that will make Cuba look pale, and you only have to read the papers to see it. The explosive points around the world are increasing rapidly; it seems as if the whole world is catching fire...

Author: By Donald E. Graham, | Title: Billy Graham | 2/20/1964 | See Source »

...Rembrandt can be seen and Mel ville can be read; but Marlowe or Moliere are pale shadows in paperback. They must be performed on the stage to come alive, and the commercial theaters are not going to underwrite such performances. Only professional repertory companies, through constant revivals, can preserve the history of the drama in a meaningful form. Similarly, when the art of theater is to be advanced, only a company that is not hooped to commerce can try something new and almost certainly unpopular without fear of financial ruin. By and large, the American theater ignored the obvious need...

Author: /time Magazine | Title: The Stage: The Rise of Rep | 2/14/1964 | See Source »

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