Word: palely
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Dates: during 1970-1979
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...filthy lucre stand behind every moral platitude. Excessive length and repetitiveness are the major drawbacks Loot has as a play, but a failure of momentum must, inevitably, hobble black comedy unless a compelling basis for suspense gives coherence to the dramatic situation. Case in point: Secret Ceremony, listless, enervated; Pale Fire, taut, compelling...
Laslo Benedek's methodical direction and Henning Kristiansen's astonishing photography-a gothic mix of melancholy blue landscapes and pale, crumbling interiors-only serve to underline the film's deficiency, the utter lack of logic. Random composition is all very well in contemporary art; in the traditional thriller, it is an unwanted and fatal guest...
...moving literature from its current sterility into a romanticism of a much larger dimension than before, especially if he turns back to the novel. He has already exploded the journalistic form; hopefully he will again write serious fiction and give the novel its first claim to life since Pale Fire. Last spring Mailer said that it was his dream (as well as contract) to write that big novel he has been promising. But, no matter what he does, he will continue to stand alone, illuming an age entirely worthy...
...second canvas of the triptych, "Epidemic," Lichtblau presents a grim, horrific picture of devastation. The shapes, cubist skyscrapers, still pierce their grotesque bleakness toward a pale sun in the center of the painting. The viewer looks up to the gray and lavender sky, feeling as though he too is lying with the victims who struggle in burnt-orange groups at the bottom of the painting. A lone gantry pushed ladderlike toward the dying sun, but stops and returns to the ground with its own image of circular death, the builder's wrecking ball, suspended over the death-groups...
...Billy Al Bengston's "dentos"-crumpled aluminum sheets with depths of shimmering, candied and gaseous sprayed color trapped under layers of glossy acrylic. At the other, it is apparent in the prismatic bloom of Larry Bell's immaculate glass boxes, and in Robert Irwin's pale disks floating into immateriality above their own cast shadows. The "look" is always playing games with media (where but in L.A. would an artist do drawings in caviar and gunpowder, as Ed Ruscha did?) and it stops just this side of fetishism and overrefinement...