Word: palely
(lookup in dictionary)
(lookup stats)
Dates: during 1970-1979
Sort By: most recent first
(reverse)
From the patio of the pale stucco house, a Panamanian gunboat can be seen cruising the richly blue-green waters. Guards armed with pistols and submachine guns patrol the driveway, and a German shepherd attack dog trots around the unfenced grounds. Perched on a cliff 50 yds. from the bay, the house itself is a modest dwelling, consisting of only six rooms. But for the latest occupant of the building, owned by former Panamanian Ambassador to the U.S. Gabriel Lewis Galindo, it is a much needed haven. "Such surroundings, such hospitality, are not going to be easy to match," said...
...result was one of Carter's best performances. His unsmiling face looked pale without the makeup he usually wears before TV cameras, his eyelids sagged with fatigue and his hands gripped the lectern tightly. But he spoke in determined and sometimes angry tones, projecting with considerable success the sense of leadership that he has often seemed to lack...
...looks alone. Says Director Michael Cimino, who worked with her on The Deer Hunter: "The camera embraces her." Lucky camera. Many women would kill for her slender, fashion-model figure, for that ash-blond hair, oval face, porcelain skin and those high, exquisite cheekbones. Her eyes mirror intelligence; their pale blue sparkle demands a new adjective: merulean. Only a slight bump down the plane of her long, patrician nose redeems her profile from perfection...
...young or middleaged. The chanting and the choir, the incense, the smell of wax, the glow and reflection from hundreds of candles, the sheer body heat slowly become hypnotic. In one corner of the railing is a young woman in an expensive tailored suit, eyes closed, face pale, arms at her sides. She stands rigidly, not seeming to breathe...
...meant to resemble the plates in a wet-cell battery; no current runs, and inertia is inertia. His most extravagant object-20 tons of mutton fat cast into the form of a corner of a pedestrian underpass leading to Münster University, and now solemnly displayed in six pale hunks on the floor of the Guggenheim-was meant as a critique of heartless urban landscape, but its own megalomania crushes the small point it makes. On the other hand, Beuys is brilliant at using laconic, coarse, gritty, abandoned things to suggest a tragic sense of history. A case...