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...Coetzee almost never gives interviews, so I counted myself very lucky when he granted me an audience in the early 1990s. We met in his office in Cape Town, the great novelist a pale and austere presence in his tweeds and corduroys, and I under strict instructions from his agent to avoid questions about the son who fell from a balcony, the ex-wife who had died of cancer, or the manner in which these tragedies might have influenced his most recent writings. We were to talk only of literature, but my opening question was greeted by dead silence. Coetzee...

Author: /time Magazine | Title: A Veiled Genius | 10/5/2003 | See Source »

Practical considerations of effort and funding pale in comparison to the moral imperative that our society prevent these terrible injustices from happening in its name for the sake of “correction.” If criminal justice is to be left to prison gangs and sexual predators, let us say so, if not, let us prevent...

Author: By The CRIMSON Staff, | Title: Crime Behind the Bars | 9/12/2003 | See Source »

...Senator Charles E. Schumer (D-N.Y.) said that the Republican’s allegations that were beyond the pale...

Author: By Ella A. Hoffman, CRIMSON STAFF WRITER | Title: Bush Appeals Court Nominee Estrada Concedes Defeat After Fillibuster | 9/10/2003 | See Source »

...Bauhaus, the influential German Arts and Crafts school, where he had been a professor and artist-in-residence. The Basel show opens with a prologue from those brighter days, including the miraculous gem Ad Marginem, reminiscent of a medieval miniature, with a fiery red sphere aglow on a pale green ground, surrounded by feathery plants and fairy-tale creatures that seem to grow out from all four sides of the frame. Steamboat and Sailboats, Toward Evening and the abstract Polyphony are exercises in Klee's dreamlike version of pointillism, with light and shadow played out in multicolored dots...

Author: /time Magazine | Title: Feats Of Klee | 8/24/2003 | See Source »

Then I saw what some of the others were carrying. Mixed in with the golden icons of Orthodoxy were framed pictures of Nicholas II—the last of the tsars. His image was unmistakable: thin brown hair, short beard, chest covered in medals with a pale blue sash around his shoulder...

Author: By Stephen W. Stromberg, | Title: Resurrecting the Romanovs | 7/25/2003 | See Source »

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