Word: pales
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...Could I be an Alaskan?'' Such wild surmising, which is half the fun of travel, churns dependable fantasies anywhere, in Salzburg or Ladakh. But for a U.S. citizen, the daydreams seem especially strong in Alaska. This is, after all, his own nation, yet it is stranger than Zanzibar. The pale north light itself is delusive, lingering in the weeks before and after the solstice till midnight and more. The tourist's mind accepts this fifth-grade geography stunner, but his blood and bone do not. They are roiled by restless energy, and they want to order another drink, carry...
When the screen at the Deutsche Kinemathek's film museum in Berlin whirred into life, and showed the black-and-white image of a glamorous brunette sporting an elaborate headdress and a man applying lipstick on her pale, powdered face, curator Rainer Rother couldn't believe his eyes. It wasn't the beauty of the young actress that stunned him, but rather the realization that what he was watching was a sight film historians and archivists from around the world had been desperate to see: the legendary missing scenes from Austrian-born director Fritz Lang's 1927 film Metropolis...
Broad, flat, pale and gray may not sound like a formula for pleasure. But you don't know what pleasure is until you've seen Ando's Church of the Light near Osaka, Japan, where two intersecting slots in a rear wall admit sunlight in the form of a glowing cross. And then there's his triumphant Modern Art Museum of Fort Worth, in Texas, a palisade of glass pavilions that touch down mysteriously on a broad reflecting pool...
What the 21st century should look like is still a contested question, but the contest is increasingly going to forms that are not broad, flat, pale and gray. In a world being radically reconfigured by Gehry, Zaha Hadid and Daniel Libeskind, Ando represents the continuing relevance of a more reductive strain of 20th century Modernism. When the Fort Worth museum was commissioned, Ando, now 66, had built widely in Japan but not much outside. By the time it opened six years ago, he was firmly located on the international short list of architects that everybody was after...
...until now. On June 22, his Stone Hill Center, a combination of galleries and art-conservation labs, opens at the Sterling and Francine Clark Art Institute, the superb small museum and art-study center in Williamstown, Mass. It's exactly what you would expect from him. It's pale, gray, serene, economical, subdued and, from most angles, pretty splendid...