Word: pales
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...live in a high-rise. So it must be a generator someplace, or an old fan with rubber blades. The sound Definitely. Maybe it's the light: the way it slants like a guillotine on a dark wall, or fills the moon so that it glows meekly like a pale bruise on the night. Of course. The light. Or is it the heat? Could be the heat too; dead-quiet heat, seems to arise from inside your head, which feels funny these days, wobbles a bit, like a loose chrysanthemum. Or the empty space: streets wide as runways, houses flat...
...moma) in New York City, for example, does not display the Botero paintings and drawings it owns. Joe La Placa, London-based director of artnet.com, a modern-art database, says that for years Botero was regarded as "an innovator." Now, La Placa believes his current work is "a pale imitation of what he did many years ago." Yet in Latin America, Botero's appeal puts him "in a category all of his own," says Julián Zugazagoitia, director of El Museo del Barrio, a Latin American art museum in New York City. Criss-crossing the world between his five...
...stakes could scarcely be higher. The toll of the 9/11 attacks would probably pale alongside a successful attack on a nuclear plant near a major metropolitan area. A recent study by Edwin Lyman, a physicist with the Union of Concerned Scientists, estimates that if terrorists triggered a meltdown at the Indian Point nuclear power plant, 35 miles north of New York City, as many as 44,000 people could die from radiation poisoning within a year, and as many as 518,000 could perish eventually from cancers spawned by the attack. Millions of people in the greater New York area...
Since the publication of Vladmir’s famed “Lolita” in 1955, Nabokov has served as executor of his father’s literary estate and as unofficial spokesman for the late author, who also wrote “Pale Fire” and the autobiographical “Speak, Memory...
...With an exhibition budget of $A1.4 million, triple that of New Zealand, Australia can afford to be more relaxed. Which suits the artist. While et al.'s installations often feature cyclone fencing and cacophonous sound loops, Swallow's pale wood carvings of skulls and suburban beanbags speak more softly. "The Biennale is about this explosion of shows, and you've got such little time to look at everything," Swallow says. "So the idea I want is almost like a cool room away from that experience." Not that Australia is resting on its laurels. As well as the usual bags...