Word: palestrina
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...Antonio Grimaldi, basso at the Sistine Chapel for 16 years, a famed authority on ecclesiastical music; Eugenio Andriselli, adult male soprano and assistant organist at St. Peter's. In all, there are twelve singers. Their programs will include selections from -the religious music of the sedate Palestrina, operatic numbers and folk-melodies of Southern Italy which, it is said, have never before been heard...
...following is the program: Adoramus Te Palestrina Cherubic Hymn Tschenokov Arise, O Ye Servants of God Swerlinck Tenebrae Factae Sunt Palestrina Bedouin Song Foote Russian Folk Songs Song of the Lifeboat Men (James E. Mitchell 1L.) Fireflies At Father's Door Adieu, Sweet Amarillis Wilbye Fire, Fire, My Heart Morley Three Folk Songs Bonnie Dundee (Scottish) Lament for Owen Roe O'Neill (Irish) (James R. Haughton 1G.) The Hundred Pipers (Scottish) Dirge for Two Veterans Holst Cum Sancto Spiritu; from the Mass in B minor Bach
Tonight's program follows: Harvard Hymn Paine Adoramus Te Palestrina Russlan Folk Songs: Song of the Lifeboat Men (J. E. Mitchell 1L, soloist) Fireflies At Father's Door Adieu, Sweet Armarillis Wilbye Bedouin Song Foote College Songs
...programs of the Glee Club selections for each of the Yard concerts follow: TUESDAY, MAY 8 Harvard Hymn, Paine Adoramus Te, Palestrina Russian Folk Songs: Song of the Lifeboat Men Fireflies At Father's Door Adieu, Sweet Amarillis, Wilbye Bedouin Song, Foote TUESDAY, MAY 15 Harvard Hymn, Paine We Praise Thee, Schvedov British Folk Songs: Bonnie Dundee (Scottish) Lament for Owen Roe O'Neill The Hundred Pipers (Scottish) Fire, Fire, My Heart, Morley Hallelujah Chorus, From the "Mount of Olivers", Beethoven TUESDAY, MAY 22 Harvard Hymn, Paine Integer Vitae, Flemming Pirate Song, Gilbert Break Forth, O Beautous Heavnly Light, Bach...
...second of their series of recitals. This is a valuable company. They give a capella performances - unaccompanied chorus-of works which range from the masterpieces of the great school of medieval counterpoint to compositions of the discordant moderns. Their program for last week embraced such different names as Palestrina, Pergolesi, Archangelsky. The director is Father Finn, choirmaster of New York's great church of the Paulist order. He is a fine, genial fellow, a learned musician and, one guesses, a lively hand with a pair of boxing gloves. He formed the chorus in the normal process of training...