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...debate to its own advantage. By flooding the market with filters that promised protection from tar and nicotine, tobaccomen turned the whole market topsy-turvy. In 1952 five brands, led by Reynolds Tobacco's Camel (and followed by American Tobacco's Lucky Strike, Liggett & Myers' Chesterfield, American's Pall Mall, and Philip Morris), held 82% of the cigarette market; today that share is held by ten brands, many of them born since then. Filters have swelled from i% of the market in 1952 to 50% today, and menthol cigarettes have gone from 3% to 10%. Nor is the race...

Author: /time Magazine | Title: TOBACCO: The Controversial Princess | 4/11/1960 | See Source »

...reason, the subject was "too horrible to mention" in polite Victorian society, says Author Terrot. "The very horror of the crime," wrote a London editor, "was the chief seat of its persistence." After one reform bill was "talked out" of Parliament in the spring of 1885, the Pall Mall Gazette's W. T. (for William Thomas) Stead, a brilliant crusading journalist, published a four-part study entitled The Maiden Tribute of Modern Babylon that stunned the nation and appalled the world. The reform bill was reintroduced, rushed through Parliament, and became law in August...

Author: /time Magazine | Title: Books: Victorian Horror Story | 2/8/1960 | See Source »

Camel (nonfilter) Pall Mall (nonfilter) Winston (filter) Lucky Strike (nonfilter) Kent (filter...

Author: /time Magazine | Title: Time Clock, Jan. 11, 1960 | 1/11/1960 | See Source »

...full-speed drive into space. It slams the anti-inflation policy ("Age-old affinity for the moneyed interests"), scores the prolonged steel strike ("A failure in executive leadership"), calls for prosperity for farmers ("The social institutions of many of our rural communities ... are withering under the deepening pall of agricultural depression...

Author: /time Magazine | Title: National Affairs: The Liberal Program | 12/21/1959 | See Source »

...Lousy, Huh?" After six years, Hollywood was beginning to pall in other ways, too. "The studios wanted to give me the Monroe-type sex buildup," she says. "I wanted to develop my acting, not my body." When TV Actor Richard Basehart recommended Anne to Producer Fred Coe as an ideal Gittel for Two for the Seesaw, Anne was only too anxious to try. She was going East for a sister's wedding anyway; she read the play and decided that she would impress Coe, not by acting, but by being Gittel. "I made sure he found me with...

Author: /time Magazine | Title: BROADWAY: Who Is Stanislavsky? | 12/21/1959 | See Source »

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