Word: palmas
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...Brian De Palma has, of course, seen Angels with Dirty Faces and The Roaring Twenties. No director knows the traditions of the violent genres better or is better at bringing them back to rushing life. And in Carlito's Way David Koepp has given him a script that works smart variants on the gangster film's classic conventions. Early on we find Carlito in court, about to be sprung after serving just five years of a 30-year rap, making a grandiose speech thanking everyone who has helped him. It's a fine bit, which, as the judge sourly comments...
Connery glides through his role as an icy wise man brilliantly attuned to Japanese customs. Crichton admits that he created Conner with namesake Connery in mind. Conner is really no more than a 90's version of the tutoring Chicago cop Connery played in Brian de Palma's "The Untouchables." Connery demonstrates his usual wit and sly self-confidence but never finds anything in the character that he hasn't played countless times before...
...Stark (The Way We Were) for $700,000, evil junk-bond genius Michael Milken was well on his way to jail, the takeover era was over, and the public backlash against the excesses of the '80s had started in a big way. Moreover, the catastrophic flop of Brian De Palma's adaptation of Tom Wolfe's Bonfire of the Vanities in 1990 had cooled Hollywood on the idea of making movies set in Manhattan's financial district. Columbia began to shy away from a project that did not seem to have much appeal to the Terminator II crowd. When...
Quite a rich story, The Phantom of the Opera. Gaston Leroux's 1911 novel about a deformed, love-sick masked man haunting the Paris Opera has inspired half a dozen movies, from Lon Chaney's silent classic to Brian De Palma's rock-'n'-roll Phantom of the Paradise. But Leroux's theme -- of ripe passions that can be spoken only in song -- suggests an apter venue than cinema. Mightn't The Phantom be the source for a passable Broadway-style musical...
Viewers' familiarity with the gore genre has never bothered Brian De Palma. He has been considered a Hitchcock groupie for so long that, by now, the slur seems like a badge. The plot of Raising Cain -- about a child psychologist (John Lithgow) still under the spell of his mad-scientist father and an evil twin named Cain -- swipes from Psycho and Michael Powell's sicko classic Peeping Tom. What's fun here is that De Palma has rung cunning changes on Hitchcockian twists. What if the car that Norman Bates watched sink into the swamp had a woman inside, clawing...