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...Some pieces are indoors, in the Palm House (built 1844-48), the Temperate House (1860-99) and the 1986 Princess of Wales Conservatory (including Sun, above). They're made out of delicate flat or hollow pieces of hand-blown glass in a rainbow of colors, and are assembled on site. The display includes Chihuly's latest series, Fiori (Flowers), and two installations floating on the Palm House pond: Thames Skiff, a boat crowded with spikes, bulbs and shoots, and Walla Wallas, onion shapes floating in the water. Chihuly's sculpture just might inspire visitors to fill their window boxes...

Author: /time Magazine | Title: Leaves of Glass | 6/6/2005 | See Source »

...Palm trees and strip malls alone didn’t dominate the Fullerton landscape. So, too, did SoCal natives Schuyler Mann and Matt Vance, who strapped on their spikes as teammates for the final time...

Author: By Alex Mcphillips, CRIMSON STAFF WRITER | Title: Captain’s Career, Freshman’s Year End With Trip Home | 6/6/2005 | See Source »

...runs until Jan. 15, 2006, so visitors can see the huge works embedded in summer's thick foliage, glowing in an autumnal nest of bare twigs or dusted with winter snow. Chihuly has shown in gardens before, but never in Europe. Some pieces are indoors, in the Palm House (built 1844-48), the Temperate House (1860-99) and the 1986 Princess of Wales Conservatory Loh and Behold Avant-garde murals and imaginative furnishings characterise a new Singapore hotel Identity Parade An iconic style magazine marks its quarter century Summits of Style Esoteric treatments in a minimalist setting A Starflyer...

Author: /time Magazine | Title: Leaves Of Glass | 6/5/2005 | See Source »

...Palm trees and strip malls alone didn’t dominate the Fullerton landscape—so, too, did Schuyler Mann and Matt Vance, SoCal natives both, who strapped on their spikes as teammates for the final time...

Author: By Alex Mcphillips, CRIMSON STAFF WRITER | Title: Season's End Brings New Beginnings for Mann, Vance | 5/27/2005 | See Source »

...British documentary, Adam Curtis' The Power of Nightmares, which traces the parallel inception and growth of Islamic fundamentalism and American neoconservatism, and diagnoses dire consequences from both. The film played like Fahrenheit 9/11, only cooler and way smarter. But it was shown out of competition, thus ineligible for a palm of any color. Cool is the temperature of the standard Cannes film. When a movie forthrightly engages the emotions - as Marco Tullio Giordana's Once You're Born superbly did in its story of a boy lost at sea with a boatload of illegal immigrants - the critical consensus...

Author: /time Magazine | Title: Like Only Cannes Can | 5/22/2005 | See Source »

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