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Word: palminteri (lookup in dictionary) (lookup stats)
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...realizes, he doesn't need or want a simulacrum of his old life back; what he requires is an energizing new deal from a fresh pack. Oddly (and luckily) enough, Carmela is coming to the same conclusion at the same time, propelled by the appearance of a cop (Chazz Palminteri) who starts responding to her wistful, if discreetly displayed, charms as well...

Author: /time Magazine | Title: CINEMA: FRESH OFF THE BOATLIFT | 5/29/1995 | See Source »

...that this felicitous commonality is what gives the characters their freedom.) In Miami, meanwhile, Juan's wife Carmela (Anjelica Huston) believes that Juan is never going to arrive and, despite the objections of her brother Angel (Diego Walraff), finds herself attracted to a policeman named John Pirelli (Chazz Palminteri...

Author: By Joel Villasenor-ruiz, | Title: Paradise Chez Perez | 5/10/1995 | See Source »

...Molina, Palminteri and Walraff are all fine (Walraff gives an especially marvelous performance), but this movie belongs to the women. Anjelica Huston delivers a dream of a performance. Her acting seems effortless, and Huston is profoundly sexy in the manner of women who have had a bit of life experience (Vanessa Redgrave also springs to mind). She is also intensely witty; her whole body has become a witty instrument, and she can get more out of a raised eyebrow than out of a page of dialogue...

Author: By Joel Villasenor-ruiz, | Title: Paradise Chez Perez | 5/10/1995 | See Source »

Woody Allen rounds up the usual show-biz subjects -- egomaniacal star (Dianne Wiest in a great, bold comic performance), earnest young playwright, desperate producer -- and an underworld hit man (Chazz Palminteri) who has what none of them has: theatrical genius. He teaches them all a thing or two about art and life in Allen's happiest, most assured comedy in many years...

Author: /time Magazine | Title: The Best Cinema of 1994 | 12/26/1994 | See Source »

...scripted overacting, Chazz Palminteri, as Cheech (Olive's bodyguard), seems subtle and slick. Cheech appears at first as the quintessential Italian mafia strong man, tough and curt and not overly smart, but quickly becomes the most interesting character in the film (largely due to Palmenteri's fabulous performance), a moody genius with a big gun. The intelligence of the script is particularly apparent here: rather than trying to transform Cheech from a hood to an artist, Allen is content to make him an artistic hood, which Palminteri plays to the hilt...

Author: By Daniel N. Halpern, | Title: Biting the Woody 'Bullets' | 11/3/1994 | See Source »

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