Word: panic
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Dates: during 1970-1979
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There was no panic at the plant, situated on a stretch of muddy soil called Three Mile Island in an otherwise scenic bend in the river. The men in the control room had heard those sirens before. They went about their task of meeting what looked at first like just another "transient," a minor glitch somewhere in the complex system like so many they had dealt with in the past. Unit 2's huge turbine, which generates 880 megawatts of electricity, had "tripped," shut down automatically, as it should when the steam that turns it has somehow been...
...Troop" and "Rockford Files") proudly displays the space-age control room from the bird's eye perspective of the visitor's gallery, the shit indeed hits the fan. The building shakes, buzzers blast, and control panel lights flash like a Christmas tree gone beserk. Douglas surreptitiously films the panic unfolding below him, focusing on the contorted face of supervisor Jack Godell (Jack Lemmon '47). By adroitly juggling water valves and pressure relief systems, he prevents the plant from destroying itself. But Godell's expressions of horror, prayer, and finally relief convince Adams and Wells that they have a real story...
Douglas secretly begins filming the panic unfolding in the room below him, while Fonda rushes back to the station, convinced that she has a story that will catapult her into hard news and out of fluff. But the station manager kills the story, after conferring with the power company's P.R. man. Fonda and Douglas keep trying to get the story out, and Lemmon joins their effort. The accident has alerted him to serious problems in the plant's safety precautions and he finds that inspection documents have been falsified. Lemmon tries, unsuccessfully, to prevent the plant from starting...
...person freezes to death next winter, panic will set in," Tsongas said. He said he favored eventually switching to renewable energy sources and using conventional nuclear power, "at least to some extent," while the transition was being made...
...pathos of fetishism-the substitution of a symbolic part for the desired whole-more acutely than In Memoriam Mack Sennett, 1936, in which a woman's negligee, hanging on its own in a closet, has developed a forlornly luminous pair of breasts. And for sheer panic, one need go no further than Magritte's Hunters at the Night's Edge, 1928, with its two stocky, armed and booted he-men writhing in apprehension at the sight of an empty horizon. We see their fear but not what they are afraid...