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Michael Mann has yet to strike out and he has Tom Cruise and Mark Ruffalo for the cabbie-in-peril thriller Collateral. The reliable Johnny Depp also tries for a second consecutive Academy nod in J.M. Barrie’s Neverland, as the titular author of Peter Pan. And finally, Michael Moore’s Bush-bashing documentary Fahrenheit 9-11 will sparkle as the Winged Migration of 2004. “Kerry/Moore 2004” has a nice ring to it, don’t you think...

Author: By Ben B. Chung and Ben Soskin, CRIMSON STAFF WRITERSS | Title: Possible Sunshine in a Plotless Year | 3/12/2004 | See Source »

...change takes 7 min.), and we learn lingo like "the 10-and-5 rule" (you look at hotel guests when they're 10 ft. away and greet them at 5). The execs descend the work ladder until we get to the money shot: the boss scrubbing a frying pan or a toilet. ("Some of our guests miss," a housekeeper warns Tisch as he tackles a commode...

Author: /time Magazine | Title: Television: Reality TV Goes To Work | 3/8/2004 | See Source »

...dishes from Alsace, a region in Eastern France. Duc, a native of France, laments that French restaurants in America are “expensive and a little pretentious,” but Mistral, in Back Bay, has “amazing food.” The Foie Gras, pan-seared and warmed duck liver, is her favorite dish there...

Author: By Pragati Tandon, CRIMSON STAFF WRITER | Title: Worldly Teachers Cultivate our Palettes | 3/4/2004 | See Source »

...owns the movie's fingers, and its sullen magic. The part is made for Conried, for whom 1953 was a big year. He had another run-in with a metronome in that year's Disney feature "Peter Pan," where he voiced Captain Hook, and co-starred on Broadway in Cole Porter's "Can-Can"; get the original cast CD: his rendition of "If You Love Me Truly" is a cynical gem. As Dr. T. he has the film's fastest, dizziest, Seussiest song, "Do-Mi-Do Duds" ("do" and "mi" for the notes on the scale), as he dresses...

Author: /time Magazine | Title: That Old Feeling: Seuss on First | 3/2/2004 | See Source »

...year all over Europe and replacing the old art houses, smaller films find themselves jostling for space with blockbusters (and the crappy U.S. flicks that cinemas run to ensure they get their hands on those blockbusters). So far, it has been a losing battle. But if a viable pan-European market could be created, Europe stands a chance of taking its place beside Hollywood on cinema screens, instead of just sulking in its shadow. If the revolution is coming, however, it is coming slowly. Until it does, Blind Spot director Slak, and others whose talents still go unseen outside their...

Author: /time Magazine | Title: Playing Against The Big Boys | 2/29/2004 | See Source »

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