Word: panoramas
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Dates: during 1990-1999
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...news look meager and soiled: whirling around the dance floor in Australia with Diana's emerald necklace subbing as a headband, kicking up their heels at a White House ball and back home, kissing at a polo match. In her interview last November on the BBC's Panorama program, Diana spoke repeatedly about their effectiveness as a team. Was it intended as rebuke to her husband? Probably, but it was true...
...last, in order to combat widespread pessimism, we need to start emphasizing the progress being made, as well as the great potential of government service to create additional national prosperity. Rather than a panorama of problems, a vista of promise would thus await. The world has changed in many positive ways over the past two decades: computer technology entered the home, and rapid telecommunications became a part of our lives; the Cold War died, while in many countries democracy was born. Developments in medicine, genetics, agriculture, and physics of the past two decades are continuing to revolutionize our lifestyles...
...each picture, not the front, so family fun shots don't look as if they were caught by airport security cameras. Film loading is simplified (drop in a cartridge, shut the camera, the film threads itself), and a button allows you to switch among three image sizes (standard, wider, panorama)--but these are only modest advances over today's models...
With all of England but the royal family tuned in, Princess Diana appeared on the BBC show "Panorama" tonight to say that her marital woes drove her to bulimia. Though her hour-long interview with reporter Martin Bashir offered no bombshells about the monarchy, Diana did continue the relatively new tradition of royal confessional. "I desperately wanted [the marriage] to work," she said of her 14-year marriage to Prince Charles. "I desperately loved my husband and I wanted to share everything with him, and I thought we were a very good team." Diana also said that the news...
...camera work is especially disappointing. With the full expanse of the heather-clad highlands to exploit, Caton-Jones focuses over and over again on hackneyed panorama shots and unconvincing, Hollywood-esque interiors. The few inspired angles on gray sky and barren hillsides only whet the viewer's appetite. Again, directorial detail work is evidenced in the all-too-fake sets of bad teeth and in the caked-on facial dirt (Make-up #57): "Psst! This is the eighteenth century...