Word: panoramas
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...pretty picture, a pleasing panorama for the alumni benevolent or prominent enough to have merited an invitation to the anniversary events. The returns for Harvard are likely to be numerous, at least in terms of birthday donations and receipts from the licensing of commemorative merchandise. But for all the planning, the repainting of buildings and history alike, the most visible return thus far has been the attention. Cover stories, documentaries, and special publications abound, and 900 journalists from around the world are here to record this week of revelry...
...early Edward Albee -- only Arthur Miller has consistently reached out beyond domestic grief to comment on public life. For that aspiration, Miller has often been rebuked and advised to return to family melodrama. Probably no rejection hurt more than the fate of his The American Clock, a poignant panorama of what the 1930s did to the country's psyche; it opened on Broadway in November 1980 and lasted barely two weeks. Miller has not brought a new play there since...
Area colleges are not being left behind in the mad rush to be trendy, either. Brandeis University has a panorama of fast food choices for its students, including lines for fast food, pizza, and cheesesteak subs in the same building as its regular dining hall...
...architect of Renault's move into the U.S. market, he took part in the development of the successful R-5 subcompact (Le Car) in the 1970s. The company now owns 46% of American Motors and 41% of Mack Trucks. Both have become profitable bright spots in the company's panorama of gloom. AMC made an estimated $15 million last year, after years of losses, while Mack has been in the black since Renault bought into the heavy-truck manufacturer...
Working with standard Leicas and a new wide-angle camera called the Technorama, Ruetz records the country from his fresh, often idiosyncratic viewpoint. An aerial shot, intentionally, shows as much of the helicopter he is in as the Grand Canyon below. He gives a slightly mordant dimension to the panorama of St. Louis and its Gateway Arch by shooting from East St. Louis with the littered river shore in the foreground. Throughout, Ruetz exploits the interplay of light and landscape at dawn and sunset: in a pair of striking pictures of Monument Valley, for example, and in a dramatic gatefold...