Word: pans
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...dorms would feel more like communities. Dorms, or college houses, now have senior faculty living in them and many programs based in the residence. Many students say they don't notice the difference with the new system, but it is too early to tell how these will pan...
...rear of the stage, a strange mix of various percussion instruments grew and changed throughout the night. In the hands of Jeffrey Haynes, everything from a steel pan to congas added tastes of Africa and the Caribbean at will, and he masterfully integrated his beats with sometimes-jazz, sometimes-folk, sometimes-blues tones around him. Even with a drummer and percussionist playing simultaneously, the sounds were never muddled and Wilson's voice was never muscled into the background...
...rear of the stage, a strange mix of various percussion instruments grew and changed throughout the night. In the hands of Jeffrey Haynes, everything from a steel pan to congas added tastes of Africa and the Caribbean at will, and he masterfully integrated his beats with sometimes-jazz, sometimes-folk, sometimes-blues tones around him. Even with a drummer and percussionist playing simultaneously, the sounds were never muddled and Wilson's voice was never muscled into the background...
Chen studied filmmaking at California State University at Northridge and then--lightning strikes again--was seen crossing a parking lot by mogul Dino De Laurentiis. Instantly she had the lead Asian role in his 1985 TV saga Tai-Pan. For more than a decade, Chen was excellent in good movies and amusing in bad ones. In Stanley Kwan's Red Rose, White Rose she is a figure of eros and pathos, driving her lover quietly nuts with her desperate vitality; the turn won her a Hong Kong Film Critics award. Back in the West, she copped a less prestigious prize...
...Beans) and Untitled (Sausage and Potatoes), Wols takes his subjects out of our world, while retaining their physical presence (the shine of an overboiled potato, the turgid undulations of a bean's matte surface) and signifiers of the setting (the rounded edge of a table, the gleam of a pan's lid). More alive than the subjects of his portraits, the beans commune and swarm, the potatoes and sausage hold a brief rapport. He destroys the world we know these objects from and conjures another in its place. The foodstuffs occupy a distinct and independent reality: familiar, yet alien...