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...worked out the essentials of radio. The phonograph was fast evolving into the basis for a recording industry. By 1912, 5 million Americans a day were attending a new entertainment called movies. New Orleans echoed with the sounds that were jumbling together gloriously as jazz. Denizens of Tin Pan Alley were polishing the wit and jaunty lyricism of the pop song and revamping European operetta into an original American theater form: the musical...

Author: /time Magazine | Title: Right Before Our Eyes | 6/8/1998 | See Source »

...final statement on pre-rock pop," as Will Friedwald, the invaluable Sinatra scholar, recently wrote of the Songs for Swingin' Lovers! album, released in 1956 and generally considered Sinatra's finest LP. "Something radically different just had to come next," Friedwald continues, "because nothing in the realm of Tin Pan Alley could top this bravura celebration of grown-up love." You can't sum up Sinatra's achievement more succinctly than that...

Author: /time Magazine | Title: FRANK SINATRA: The Singer | 6/8/1998 | See Source »

...children. And the audience for the Muppets has not only been huge; it has also been passionate. In fact, given the number of his fans and the intensity of their devotion, Kermit may possibly be the leading children's character of the century, more significant than even Peter Pan or Winnie-the-Pooh...

Author: /time Magazine | Title: JIM HENSON: The TV Creator | 6/8/1998 | See Source »

...Picasso was the artistic Prometheus of the century, then Pop artist Andy Warhol was its Pan. Pop is the realm where American art gave up its spiritual reach in exchange for the bounty of commerce. Warhol, more than any of his peers, was its avatar, its passive-aggressive emperor with a tapioca complexion and a pale wig, gliding through its landscape as prankster and publicist, pariah, sexual cipher, parvenu...

Author: /time Magazine | Title: Publicist, Prankster, Parvenu, Andy Warhol Was The Pan Of Modern Art | 6/8/1998 | See Source »

...days later, black students from Afro andthe Pan-African Liberation Committee take overMassachusetts Hall in protest of the University'sinvestment in Gulf Oil. The students object toGulf Oil's practices in Angola and refused torelinquish the building until Harvard sold itsinterests in Gulf...

Author: By David S. Stolzar, | Title: Class Of 1973 TIME LINE | 6/2/1998 | See Source »

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