Word: pantaleoni
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Dates: during 1950-1959
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With only 1:35 left in the contest, Greenough froze the play in the center zone, and converted three foul shots to take the lead, 30 to 26. Gerry Jordan and Tony Pantaleoni made their shots to saw up the game for Greenough. Pantaleoni dunked a game-ending layup to finish the scoring for the night...
...technical aspects of the production are quite impressive, considering the difficulties that are involved. Here Conductor Hewitt Pantaleoni deserves much of the musical credit for his general victory in the running battle to keep everyone together with his 25-piece orchestra, while the stage direction of Arthur Schoep also keeps the pace lively with an abundance of stage movement. There is never a quiet moment. The borrowed sets are very stylish, as are Leo Van Witsen's costumes. The biggest advantage of using Agassiz is that its small size allows most of the words to be heard. The Barber...
Peter Neumann '54, a graduate student in math who knew Boston musical circles by heart, came up with many of the solutions. He found musical director Hewitt Pantaleoni, a graduate student in the Music Department, out of thin air, and led the search for a stage director...
Handel was above all a choral composer, and the extensive passages for chorus in Semele require a first-rank ensemble with clear texture and plenty of volume. The Lowell Musical Society was very fortunate to have the services of Hewitt Pantaleoni '52, an industrious, capable chorus director. The group sounded nearly perfect in unison, as well as in the tricky polyphonic sections. There was precision and grace here not always found even in professional groups...
...orchestra, made up of College and Radcliffe students, is under the direction of Malcolm H. Holmes '28, Band director and dean of the New England Conservatory. Hewitt Pantaleoni '52 and Irving Yoskowitz '53 are the chorus director and stage director, respectively...