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PUBLISHER: PANTHEON; 606 PAGES...

Author: /time Magazine | Title: A Failure of Verve | 5/17/1993 | See Source »

...Onion Weavers probably had as good to time putting on the show as the audience did watching it. And any production that successfully incorporates the line. "Where is yesterday's garlic?" deserves a place in the puppet theater pantheon...

Author: By Sarah C. Dry, | Title: The Frogs: Aristophanes With Strings Attached | 4/22/1993 | See Source »

TIRED AND ILL WITH PROSTATE CANcer, Francois Mitterrand sat silently in a Louis XV armchair at the Elysee Palace, watching election returns. Was it only a dozen years ago that a vigorous Mitterrand, newly elected as France's Socialist President, marched solemnly up the steps of the Pantheon and placed red roses on the tombs of three leftist heroes while the streets of Paris rang with victory celebrations? Now as the results of last week's parliamentary vote flickered across the TV screen, the numbers confirmed what all had suspected: the Socialist era was over in France. Mitterrand's party...

Author: /time Magazine | Title: Burnt Out | 4/12/1993 | See Source »

Camp and cross dressings are only two aspects of "gay sensibility," but like Morgana Prettiface's smile and Princess Diana Loneliness's dancing, they illuminate the pantheon of gay culture with undaunted charisma. Gay men and drag queens have a symbiotic relationship, as do gay men and camp. Despite conservative rhetoric about boys-will-be-boys-by-being-girls, camp and homosexuality cannot be served from open another, simply because they've been blurred too often. In the name of propriety, we cannot simply refocus our gaze and separate the two into distinctly autonomous categories...

Author: By Adam J. B. lane, | Title: New Notes on Camp | 3/11/1993 | See Source »

...wasn't by any means the only Latin American painter to make a mark in the Manhattan avant-garde of the '40s, but to see his place one needs to remember that the New York School of the '40s was not the exclusive pantheon of half a dozen Abstract Expressionist heroes that later critics and dealers made it seem. It was open and eclectic, perfused with Surrealist influence and much more curious about other cultures -- particularly those of Latin America -- than it would be 25 years later. Lam had a strong common interest with American painters who became his friends...

Author: /time Magazine | Title: Taking Back His Own Gods | 2/22/1993 | See Source »

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