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...RETURN OF THE PINK PANTHER...

Author: /time Magazine | Title: Cinema: Minkey Business | 7/7/1975 | See Source »

...time of the robbery, Inspector Jacques Clouseau was standing outside the bank, arguing with a beggar. The poor fellow was trying to earn a few centimes playing the accordion, while his pet monkey collected coins in a tin cup. Now you will recall from The Pink Panther and A Shot in the Dark that Clouseau has an immaculate and quite literal respect for the law. This is, in fact, why he is in uniform, on foot patrol, instead of dashing about in plain clothes and solving glamorous crimes. His strict adherence to the book, as well as an unshakable simple...

Author: /time Magazine | Title: Cinema: Minkey Business | 7/7/1975 | See Source »

...Pink Panther begins with an intricate and extremely dexterous jewel robbery, a sequence that Edwards stages with great finesse. The Pink Panther is a priceless jewel, and Clouseau must find out what happened to it. His major suspect-who, needless to say, is probably innocent-is the suave cat burglar Sir Charles Litton (Christopher Plummer), a character amusingly and lovingly modeled on Gary Grant in Hitchcock's To Catch a Thief. Litton must track down the real culprits while Clouseau stalks him. There is little question of ever catching Litton, of course, but the unnatural disasters that Clouseau...

Author: /time Magazine | Title: Cinema: Minkey Business | 7/7/1975 | See Source »

...Lili, for example) and two of the three previous Clouseau excursions. This one is the most raucous of the lot, and possibly the best. It may not be as wild or inventive as Woody Allen or Mel Brooks or the Monty Python team. But The Return of the Pink Panther is fully as funny, in its own brassy, uncomplicated way, and that is probably what counts...

Author: /time Magazine | Title: Cinema: Minkey Business | 7/7/1975 | See Source »

Over the past ten years, Tom Wolfe has set himself up as the Bugs Bunny of American journalism-a squeaky, impudent dandy with a glib eye for the lumbering victim. Toward the end of the '60s, New York appeared to be strewn with his targets, from rich Black Panther-loving liberals to the editorial staff of The New Yorker. It was also dotted with the lucky recipients of his approval: mayflies like Baby Jane Holzer, cultish ephemerids like Marshall McLuhan and social grotesques like the collector-exhibitionists Robert and Ethel Scull, all festooned in yards of Wolfe...

Author: /time Magazine | Title: Art: Lost in Culture Gulch | 6/23/1975 | See Source »

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