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...center of learning through the arts.In last Thursday’s concert the audience had a chance to experience firsthand the multicultural themes explored by the Silk Road Ensemble. Ma, Russian violinist Jonathan Gandelsman, and pianist Charlie Albright ’11, performed the second movement, “Pantoum,” of Maurice Ravel’s piano trio. The piece is usually associated with the Western classical tradition but, as Ma explained, Malaysian dance forms heavily influenced Ravel during his attendance of the World’s Exhibition in Paris in 1889.Later, six other undergraduates joined...

Author: By Matthew H. Coogan, CRIMSON STAFF WRITER | Title: Reaching the End of the Silk Road | 10/30/2009 | See Source »

...nine featured student poets presented a wide range of influences, styles and subjects. By the end of the evening, the audience had heard forms of poetry ranging from dramatic monologue to pantoum, allusions to artistic works as varied as “Self Portrait in a Convex Mirror,” by John Ashbery ’49, and Cyndi Lauper’s “Girls Just Want to Have Fun,” and poems that dealt with animal testing, parental remarriage and the Israeli-Palestinian conflict...

Author: By Ashley Aull, CONTRIBUTING WRITER | Title: Despite Funding Difficulties, Gamut Poets Return to Action | 2/28/2003 | See Source »

...clock. It will be open only to officers and students of the University, and no charge for admission will be made. The following program will be presented by Mr. Whiting at the pianoforte, assisted by Scipione Guidi, violinist, and Michel Penha, 'cellist: Trio in A minor, Modere. Pantoum (assez vif). Passacaille (tres large). Final. Ravel Trio in B flat, Opus 99, Allegro Moderato. Andante. Scherzo (Allegro). Rondo (allegro vivace). Schubert

Author: NO WRITER ATTRIBUTED | Title: Hold Final Whiting Concert Tonight | 4/13/1920 | See Source »

...today's Advocate is an improvement on previous numbers;-it contains less poetry. Not only this, but one of the two pieces published is very creditable. "Cpnthia. A Pantoum," by Louis How, has no interest except for the peculiar style of rhyming which the author effects; but the sonnet by Treadwell Cleveland, Jr., is worthy of notice in that it departs from the usual custom of Advocate sonnets and gives evidence of a foundation of ideas and sentiment not wholly obscured by the demands of rhyme and meter. The author has just been elected to the board of editors...

Author: NO WRITER ATTRIBUTED | Title: The Advocate. | 11/25/1893 | See Source »

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