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...actual apartment rather than a set for the scenes between Paul and Jeanne, although he then chose very unrealistic colors and lighting to heighten the atmosphere. He required that the decor be in reds, oranges and flesh tones-"all uterine," in the words of Tango Set Designer Maria Paola Maino. The light that slanted into the rooms was always orange shafts from a low winter sun, contrasting with the cool violet and gray of the streets outside...

Author: /time Magazine | Title: Self-Portrait of an Angel and Monster | 1/22/1973 | See Source »

Pouring huge cups of tea with honey at his villa on the Côte d'Azur, the 30-year-old painter, sculptor and ceramicist-who was born in 1881-winked at his guest of honor, Italian Movie Actress Lucia Bose. Her child, Paola, whose father is Spain's retired superstar of the corrida, Luis Miguel Dominguín, is Picasso's goddaughter, and Lucia's presence, quite obviously, put him in an expansive mood. Why, someone asked, do the peaceful doves for which he is so famous never have any feet? Because, said Picasso...

Author: /time Magazine | Title: People: Dec. 7, 1970 | 12/7/1970 | See Source »

...crystal ballons of the sort normally seen only at the swankiest restaurants, brings an invocation of 'Hei, hei,' a friendly salutation which Fielding has borrowed from the hard-drinking Finns. Old anecdotes are dredged up and embellished until they sink again?about the day that Prince Albert and Princess Paola of Belgium visited the villa for skeet shooting and the time that a U.S. Navy admiral suddenly and inexplicably vanished in the middle of a Fielding party. It turned out that he had fallen from the rock garden, broken a leg, and painfully dragged himself half a mile...

Author: /time Magazine | Title: Modern Living: A Guide to Temple Fielding | 6/6/1969 | See Source »

...every pull that threatens to destroy the menage, Chabrol inserts with instinctive rightness suggestions of its permanence. The duplication of names--Chris and Christine--assumes relevance when Paul picks up a girl named Paola, who is prompt-murdered. No possibilty is allowed for Paul's reversing or breaking-out of his role in the trio. His sexuality has been effectively destroyed in the opening accident. Although Chris and Paul are introduced as inseparable, interchangeable companions, wearing the same plaid jackets, Chabrol slowly separates them, Paul entering a world of shadows, Chris existing in a private world of secrets...

Author: By Tim Hunter, | Title: Claude Chabrol's The Champagne Murders | 8/2/1968 | See Source »

...worlds comes in a violently sensual display of color. Audran, coming out into the open, crosses the barriers Chris has established between his lives, destroying forever his success as a hidden prime mover. The lush blues we identify with Christine and, we realize in retrospect, with the dead Paola, are disrupted by Audran's red dress, then by the blackness of the stocking with which Christine and the other girls are strangled. The violence of the deed is muted by the awesome lushness of the images, textures of decor which make murder a forbidden ritual of the insane. Paul...

Author: By Tim Hunter, | Title: Claude Chabrol's The Champagne Murders | 8/2/1968 | See Source »

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