Word: paolo
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Dates: during 2000-2009
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Fiorentini is a classically trained artist, a painter, and comes from an artistic family. His father was also an artist and his brother, Paolo Fiorentino, is an accomplished Italian painter...
...basis of tradition and clout alone, it’s easy to overlook the countless other fashion weeks cropping up in cities around the globe, to varying effect. Tokyo and Copenhagen maintain a loyal following with cult native designers like Junya Tashiro and Henrik Vibskov, while São Paolo is also emerging as a worthy contender. Still the future of Los Angeles’ once-successful fashion week is uncertain in the current economic climate, suffering from waning corporate sponsorship and the steady relocation of local talent. And here in Beantown, the Boston Fashion Week has been hovering below...
...amid their glamorous lives. Its basic unit of currency would be the family, of course, rather than the individual. Italian Touch, a 368-page book released this month by the Italian fashion company Tod's, is just such a compendium. Edited by journalist Donata Sartorio and with photographs by Paolo Leone, the book captures the lives, ambitions and traditions of more than a hundred families, many well known from the society and business pages. Sartorio calls the on-the-go famiglie "moccasin people." Representing la dolce vita on each member photographed: Tod's shoes...
Italy's press has always been written by and for the intellectual élite, says Paolo Mancini, a professor of the sociology of communications at the University of Perugia. The culture pages of the major dailies have the air of an academic journal. Graphics and layout are dense and often confusing. Photos are usually portraits of the same tired faces. When political news breaks, the front pages can feature as many as five articles on the subject by leading journalists providing individual takes. Yet context or background is rarely provided. "The reader of the printed press already knows what...
...show recounts the art form's inexorable spread, from the New York City tenements of the 1970s to the streets of São Paolo in 2009. Pioneers like PHASE 2 and Seen, who by the 1980s were transforming New York subway cars into traveling canvases, here reproduce their works in full scale. Pieces by Jean-Michel Basquiat and Keith Haring from the same period reveal graffiti's impact on fine art. Rare films and headlines describe the deaths (spray-painting on busy subway lines is hazardous) and municipal cleanup efforts that ended graffiti's golden age, at least...